Vampires, Dragons, and Egyptian Kings : : Youth Gangs in Postwar New York / / Eric C. Schneider.

They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2021]
©1999
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (354 p.) :; 11 halftones, 3 line illus., 5 maps
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Other title:Frontmatter --
CONTENTS --
ILLUSTRATIONS --
ACKNOWLEDGMENTS --
PREFACE Crossing 96th Street --
INTRODUCTION The Capeman and the Vampires --
CHAPTER ONE Remaking New York --
CHAPTER TWO Discovering Gangs: The Role of Race in the 1940s --
CHAPTER THREE Defending Place: Ethnicity and Territory --
CHAPTER FOUR Becoming Men: The Use of the Streets in Defining --
CHAPTER FIVE Making a Gang Culture: Form, Style, and Ritual in the Gang World --
CHAPTER SIX Leaving the Gang: Pathways into Adulthood --
CHAPTER SEVEN Intervening in Gangs: The Problems and Possibilities of Social Work --
CHAPTER EIGHT Drugs, Politics, and Gangs, 1960-1975 --
CONCLUSION Comparing Gangs: Contemporary Gangs in Historical Perspective --
NOTES --
INDEX
Summary:They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive. Schneider begins by describing how postwar urban renewal, slum clearances, and ethnic migration pitted African-American, Puerto Rican, and Euro-American youths against each other in battles to dominate changing neighborhoods. But he argues that young men ultimately joined gangs less because of ethnicity than because membership and gang violence offered rare opportunities for adolescents alienated from school, work, or the family to win prestige, power, adulation from girls, and a masculine identity. In the course of the book, Schneider paints a rich and detailed portrait of everyday life in gangs, drawing on personal interviews with former members to re-create for us their language, music, clothing, and social mores. We learn what it meant to be a "down bopper" or a "jive stud," to "fish" with a beautiful "deb" to the sounds of the Jesters, and to wear gang sweaters, wildly colored zoot suits, or the "Ivy League look." He outlines the unwritten rules of gang behavior, the paths members followed to adulthood, and the effects of gang intervention programs, while also providing detailed analyses of such notorious gang-related crimes as the murders committed by the "Capeman," Salvador Agron. Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy. Written with a profound understanding of adolescent culture and the street life of New York, this is a powerful work of history and a compelling story for a general audience.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780691223308
9783110442496
9783110784237
DOI:10.1515/9780691223308?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Eric C. Schneider.