To Free the Cinema : : Jonas Mekas and the New York Underground / / ed. by David E. James.
Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postw...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2021] ©1992 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (352 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- Routines of Emancipation: Alternative Cinema in the Ideology and Politics of the Sixties
- The Old Days
- "Loved Him, Hated It": An Interview with Andrew Sarris
- The Apron Strings of mm Jonas Mekas
- How I Think I Made Some of My Films
- The Forest and The Trees
- Notes on Displacement: The Poems and Diary Films of Jonas Mekas
- During the Second Half of the Sixties
- Film Diary/Diary Film: Practice and Product in Walden
- A Portfolio of Photographs
- Reminiscences, Subjectivities, and Truths
- My Contacts with Jonas Mekas
- Lost, Lost, Lost: Mekas as Essayist
- Dear Friends
- Film Writing and the Figure of Death: He Stands in a Desert Counting the Seconds of His Life
- A Tale of Two Co-ops
- Jonas Mekas
- Wearing the Critic's Hat: History, Critical Discourses, and the American Avant-Garde Cinema
- Who Is Afraid of Jonas Mekas?
- Video at Anthology
- I Feel Passionate about the Film Journals of Jonas Mekas
- Home Movies of the Avant-Garde: Jonas Mekas and the New York Art World
- Appendixes
- Index