Sound and Symbol, Volume 1 : : Music and the External World / / Victor Zuckerkandl.
An approach to music as an instrument of philosophical inquiry, seeking not so much a philosophy of music as a philosophy through music.
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
|---|---|
| VerfasserIn: | |
| TeilnehmendeR: | |
| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2021] ©1956 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Bollingen Series (General) ;
655 |
| Online Access: | |
| Physical Description: | 1 online resource (407 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| LEADER | 04557nam a22011175i 4500 | ||
|---|---|---|---|
| 001 | 9780691218366 | ||
| 003 | DE-B1597 | ||
| 005 | 20210830012106.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 210830t20211956nju fo d z eng d | ||
| 020 | |a 9780691218366 | ||
| 024 | 7 | |a 10.1515/9780691218366 |2 doi | |
| 035 | |a (DE-B1597)567598 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a nju |c US-NJ | ||
| 050 | 4 | |a ML3800.Z83 |b S68 1956eb | |
| 072 | 7 | |a MUS020000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780.1 |2 23 |
| 100 | 1 | |a Zuckerkandl, Victor, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Sound and Symbol, Volume 1 : |b Music and the External World / |c Victor Zuckerkandl. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2021] | |
| 264 | 4 | |c ©1956 | |
| 300 | |a 1 online resource (407 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Bollingen Series (General) ; |v 655 | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Forewor -- |t TONE -- |t I. The Dynamic Quality of Tone -- |t II. The Pulse Theory -- |t III. The System of Tones -- |t IV. Associationism -- |t V. The Three Components of Sense Perception -- |t MOTION -- |t Prefatory Note -- |t VII. The Paradox of Tonal Motion -- |t VIII. The True Motion of Tones -- |t IX. The Continuity of Tonal Motion -- |t X. The "Third Stage -- |t TIME -- |t XI. Meter and Rhythm -- |t XII. The Musical Concept of Time -- |t XIII. Tone as the Image of Time -- |t SPACE -- |t XIV. The "Nonspatial" Art -- |t XV. Is Space Audible? -- |t XVI. The Placeless, Flowing Space of Tones -- |t XVII. The Order of Auditory Space -- |t XVIII. Space as Place and Space as Force -- |t XIX. A Last Word on High and Low in Tones -- |t XX. Summary and Prospect -- |t List of Works Cited -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a An approach to music as an instrument of philosophical inquiry, seeking not so much a philosophy of music as a philosophy through music. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
| 653 | |a Achilles and the tortoise. | ||
| 653 | |a Bridgman, P. W. | ||
| 653 | |a Browne, Sir Thomas, "ed. | ||
| 653 | |a Casals, Pablo. | ||
| 653 | |a Chinese painting. | ||
| 653 | |a Democritus. | ||
| 653 | |a Gent, Werner. | ||
| 653 | |a Gregorian chant. | ||
| 653 | |a Hume, David, "ed. | ||
| 653 | |a Jaworsky, Boleslaus. | ||
| 653 | |a Kant, Immanuel. | ||
| 653 | |a Koffka, Kurt. | ||
| 653 | |a Plotinus. | ||
| 653 | |a Pythagoras. | ||
| 653 | |a accent. | ||
| 653 | |a creation, musical. | ||
| 653 | |a depth of auditory space. | ||
| 653 | |a ensemble. | ||
| 653 | |a equal temperament. | ||
| 653 | |a fall of color. | ||
| 653 | |a field concept. | ||
| 653 | |a harmony. | ||
| 653 | |a intensification. | ||
| 653 | |a intervals. | ||
| 653 | |a just intonation. | ||
| 653 | |a language. | ||
| 653 | |a light, refraction of. | ||
| 653 | |a meaning, musical. | ||
| 653 | |a metaphor. | ||
| 653 | |a motion. | ||
| 653 | |a noises simultaneously perceived. | ||
| 653 | |a nonsensory perception. | ||
| 653 | |a octave. | ||
| 653 | |a oscilloscope. | ||
| 653 | |a repetition, musical. | ||
| 653 | |a symmetry, musical. | ||
| 653 | |a syncopation. | ||
| 653 | |a upbeat. | ||
| 700 | 1 | |a Trask, Willard R. | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Archive 1927-1999 |z 9783110442496 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780691218366?locatt=mode:legacy |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780691218366 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9780691218366.jpg |
| 912 | |a 978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999 |c 1927 |d 1999 | ||
| 912 | |a EBA_BACKALL | ||
| 912 | |a EBA_CL_MUAR | ||
| 912 | |a EBA_EBACKALL | ||
| 912 | |a EBA_EBKALL | ||
| 912 | |a EBA_ECL_MUAR | ||
| 912 | |a EBA_EEBKALL | ||
| 912 | |a EBA_ESSHALL | ||
| 912 | |a EBA_PPALL | ||
| 912 | |a EBA_SSHALL | ||
| 912 | |a GBV-deGruyter-alles | ||
| 912 | |a PDA11SSHE | ||
| 912 | |a PDA13ENGE | ||
| 912 | |a PDA17SSHEE | ||
| 912 | |a PDA5EBK | ||