The Hitchcock Romance : : Love and Irony in Hitchcock's Films / / Lesley Brill.

Was Alfred Hitchcock a cynical trifler with his audience's emotions, as he liked to pretend? Or was he a profoundly humane artist? Most commentators leave Hitchcock's self-assessment unquestioned, but this book shows that his movies convey an affectionate, hopeful understanding of human na...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2021]
©1988
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (312 p.)
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100 1 |a Brill, Lesley,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Hitchcock Romance :  |b Love and Irony in Hitchcock's Films /  |c Lesley Brill. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2021] 
264 4 |c ©1988 
300 |a 1 online resource (312 p.) 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t FRAME ENLARGEMENTS --   |t ACKNOWLEDGMENTS --   |t INTRODUCTION --   |t 1. North by Northwest and Romance --   |t 2. Young and Innocent: Comic Romances of False Accusation --   |t 3. Mixed Romances --   |t 4. Do Not Presume: Irony --   |t 5. "I Look Up, I Look Down" --   |t 6. Bygones be Bygones --   |t 7. "Love's Not Time's Fool" --   |t INDEX 
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520 |a Was Alfred Hitchcock a cynical trifler with his audience's emotions, as he liked to pretend? Or was he a profoundly humane artist? Most commentators leave Hitchcock's self-assessment unquestioned, but this book shows that his movies convey an affectionate, hopeful understanding of human nature and the redemptive possibilities of love. Lesley Brill discusses Hitchcock's work as a whole and examines in detail twenty-two films, from perennial favorites like North by Northwest to neglected masterpieces like Rich and Strange. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Irony in motion pictures. 
650 0 |a Love in motion pictures. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
653 |a Aristotle. 
653 |a Bergman, Ingrid. 
653 |a Blackmail. 
653 |a Christ. 
653 |a Connery, Sean. 
653 |a Dali, Salvador. 
653 |a Easy Virtue. 
653 |a Eden. 
653 |a Family Plot. 
653 |a Foreign Correspondent. 
653 |a Frenzy. 
653 |a Grant, Cary. 
653 |a Hedren, Tippi. 
653 |a I Confess. 
653 |a Job. 
653 |a Keane, Marian. 
653 |a Kelly, Grace. 
653 |a Laurel and Hardy. 
653 |a Marnie. 
653 |a North by Northwest. 
653 |a Notorious. 
653 |a Ondra, Anny. 
653 |a Persephone. 
653 |a Psycho. 
653 |a Rich and Strange. 
653 |a Rothman, William. 
653 |a Saboteur. 
653 |a Secret Agent. 
653 |a Spellbound. 
653 |a Strangers on a Train. 
653 |a The Lady Vanishes. 
653 |a The Lodger. 
653 |a The Manxman. 
653 |a The Paradine Case. 
653 |a Topaz. 
653 |a Under Capricorn. 
653 |a Vertigo. 
653 |a artifice (antirealism). 
653 |a ascents. 
653 |a descent. 
653 |a rebirth. 
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