Cubism, Stieglitz, and the Early Poetry of William Carlos Williams / / Bram Dijkstra.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
• VerfasserIn: Dijkstra, Bram,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2020]; ©1978
• Year of Publication: 2020
• Language: English
• Physical Description: 1 online resource (256 p.) :; 13 line drawings 17 halftones
• Other title: Frontmatter --; PREFACE --; ACKNOWLEDGMENTS --; CONTENTS --; LIST OF PLATES --; I. The New York Avant Garde, 1910-1917 --; II. The Poem as a Canvas of Broken Parts --; III. Stieglitz --; IV. The Evangelists of the American Moment --; V. Doctor Williams and the New World --; VI. The Hieroglyphics of a New Speech --; VII. The Poem as Still-Life --; Selective Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780691216133; 9783110442496
• DOI: 10.1515/9780691216133?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Bram Dijkstra.

Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.