Painting by Numbers : : Data-Driven Histories of Nineteenth-Century Art / / Diana Seave Greenwald.
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canonPainting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of n...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2021] ©2021 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (256 p.) :; 55 color + 9 b/w illus. 14 tables. |
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Table of Contents:
- Frontmatter
- Contents
- Painting by Numbers
- 1 What Is a Data-Driven History of Art
- 2 The Historical Data of the Art World
- 3 Between City and Country: Industrialization and Images of Nature at the Paris Salon
- 4 Why Have There Been No Great Women Artists? Artistic Labor and Time-Constraint in Nineteenth-Century America
- 5 Implied But Not Shown: Empire at the Royal Academy
- 6 Conclusion
- Appendices
- A Further Information about Compilation of and Access to Data Sources
- B A Brief Historiography of the Study of Jean-François Millet and the Relationship between City and Country in Nineteenth-Century French Rural Genre Painting
- C Subject Headings in the Whiteley Index Identified as Rural, Industrial, Religious, and Family Tags
- D Full Regression Tables, How to Read Regression Tables, and Further Discussion of Results
- E French Transcription of Letters Written by Jean-François Millet
- F Still Life Keywords Identified in Titles of Works Exhibited at the National Academy of Design, 1826–1900
- G Further Information about Geographic Classifications of Royal Academy Data and Imperial Keywords
- Acknowledgments
- Notes
- Bibliography
- Index