Picasso and Truth : : From Cubism to Guernica / / T. J. Clark.
A groundbreaking reassessment of Picasso by one of today's preeminent art historiansPicasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Cl...
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| Superior document: | Title is part of eBook package: De Gruyter The A. W. Mellon Lectures in the Fine Arts eBook Package |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2023] ©2013 |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | The A. W. Mellon Lectures in the Fine Arts ;
35 |
| Online Access: | |
| Physical Description: | 1 online resource (344 p.) :; 209 b/w illus. |
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| 100 | 1 | |a Clark, T. J., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Picasso and Truth : |b From Cubism to Guernica / |c T. J. Clark. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2023] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (344 p.) : |b 209 b/w illus. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a The A. W. Mellon Lectures in the Fine Arts ; |v 35 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t Lecture 1. Object -- |t Lecture 2. Room -- |t Lecture 3. Window -- |t Lecture 4. Monster -- |t Lecture 5. Monument -- |t Lecture 6. Mural -- |t Acknowledgments -- |t Notes -- |t Photography and Copyright Credits -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a A groundbreaking reassessment of Picasso by one of today's preeminent art historiansPicasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined—too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work.With compelling insight, Clark focuses on three central works—the large-scale Guitar and Mandolin on a Table (1924), The Three Dancers (1925), and The Painter and His Model (1927)—and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, Picasso and Truth rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art—humane and appalling, naïve and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DCPlease note: All images in this ebook are presented in black and white. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) | |
| 650 | 7 | |a ART / Criticism. |2 bisacsh | |
| 653 | |a Abjection. | ||
| 653 | |a Academic art. | ||
| 653 | |a Aphorism. | ||
| 653 | |a Banality (sculpture series). | ||
| 653 | |a Bust of a Woman (Marie-Thérèse). | ||
| 653 | |a Carl Einstein. | ||
| 653 | |a Cimabue. | ||
| 653 | |a Classicism. | ||
| 653 | |a Clement Greenberg. | ||
| 653 | |a Collage. | ||
| 653 | |a Constantin Brâncu?i. | ||
| 653 | |a Cubism. | ||
| 653 | |a Daniel-Henry Kahnweiler. | ||
| 653 | |a De Stijl. | ||
| 653 | |a Dora Maar. | ||
| 653 | |a Eroticism. | ||
| 653 | |a Facsimile. | ||
| 653 | |a Falsity. | ||
| 653 | |a Farce. | ||
| 653 | |a Fernande Olivier. | ||
| 653 | |a Fine art. | ||
| 653 | |a Friedrich Nietzsche. | ||
| 653 | |a Gerhard Richter. | ||
| 653 | |a Gesso. | ||
| 653 | |a Giorgio de Chirico. | ||
| 653 | |a Horace Walpole. | ||
| 653 | |a Horror vacui. | ||
| 653 | |a Illusionism (art). | ||
| 653 | |a Jackson Pollock. | ||
| 653 | |a Judith Butler. | ||
| 653 | |a Kitsch. | ||
| 653 | |a Lawrence Gowing. | ||
| 653 | |a Le Figaro. | ||
| 653 | |a Lecture. | ||
| 653 | |a Les Demoiselles d'Avignon. | ||
| 653 | |a Ma Jolie (Picasso, 1912). | ||
| 653 | |a Maenad. | ||
| 653 | |a Marc Chagall. | ||
| 653 | |a Marcel Duchamp. | ||
| 653 | |a Mario Praz. | ||
| 653 | |a Michael Fried. | ||
| 653 | |a Modern art. | ||
| 653 | |a Modernity. | ||
| 653 | |a Mural. | ||
| 653 | |a Negative space. | ||
| 653 | |a Obscenity. | ||
| 653 | |a Pablo Picasso. | ||
| 653 | |a Peggy Guggenheim Collection. | ||
| 653 | |a Philip Larkin. | ||
| 653 | |a Picasso's Blue Period. | ||
| 653 | |a Picture plane. | ||
| 653 | |a Picturesque. | ||
| 653 | |a Primitivism. | ||
| 653 | |a Psychoanalysis. | ||
| 653 | |a Pulcinella. | ||
| 653 | |a Robert Rosenblum. | ||
| 653 | |a Roger Fry. | ||
| 653 | |a Roland Penrose. | ||
| 653 | |a Romanticism. | ||
| 653 | |a Still life. | ||
| 653 | |a Surrealism. | ||
| 653 | |a Swinging (sexual practice). | ||
| 653 | |a The Artist at Work. | ||
| 653 | |a The Charnel House. | ||
| 653 | |a The Man With the Blue Guitar. | ||
| 653 | |a The Painter and His Model. | ||
| 653 | |a The Raft of the Medusa. | ||
| 653 | |a The Three Dancers. | ||
| 653 | |a Three Musicians. | ||
| 653 | |a Venus Anadyomene. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t The A. W. Mellon Lectures in the Fine Arts eBook Package |z 9783111292908 |
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