Only Connect : : Art and the Spectator in the Italian Renaissance / / John K.G. Shearman.
John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by desi...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2019] ©1992 |
Year of Publication: | 2019 |
Language: | English |
Series: | Princeton Legacy Library ;
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Physical Description: | 1 online resource (286 p.) |
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Shearman, John K.G., author. aut http://id.loc.gov/vocabulary/relators/aut Only Connect : Art and the Spectator in the Italian Renaissance / John K.G. Shearman. Princeton, NJ : Princeton University Press, [2019] ©1992 1 online resource (286 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Princeton Legacy Library ; 27 Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- I. A MORE ENGAGED SPECTATOR -- II. A SHARED SPACE -- III. PORTRAITS AND POETS -- IV. DOMES -- V. HISTORY, AND ENERGY -- VI. IMITATION, AND THE SLOW FUSE -- SOURCES OF ILLUSTRATIONS -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning.Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists.John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore).The A.W. Mellon Lectures in the Fine Arts, 1988Bollingen Series XXXV: 37Originally Publsihed in 1992The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) ART / History / General. bisacsh Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 9783110605785 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2019 English 9783110610017 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English 9783110610765 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 9783110664232 ZDB-23-DGG Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496 https://doi.org/10.1515/9780691200774?locatt=mode:legacy https://www.degruyter.com/isbn/9780691200774 Cover https://www.degruyter.com/cover/covers/9780691200774.jpg |
language |
English |
format |
eBook |
author |
Shearman, John K.G., Shearman, John K.G., |
spellingShingle |
Shearman, John K.G., Shearman, John K.G., Only Connect : Art and the Spectator in the Italian Renaissance / Princeton Legacy Library ; Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- I. A MORE ENGAGED SPECTATOR -- II. A SHARED SPACE -- III. PORTRAITS AND POETS -- IV. DOMES -- V. HISTORY, AND ENERGY -- VI. IMITATION, AND THE SLOW FUSE -- SOURCES OF ILLUSTRATIONS -- INDEX |
author_facet |
Shearman, John K.G., Shearman, John K.G., |
author_variant |
j k s jk jks j k s jk jks |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Shearman, John K.G., |
title |
Only Connect : Art and the Spectator in the Italian Renaissance / |
title_sub |
Art and the Spectator in the Italian Renaissance / |
title_full |
Only Connect : Art and the Spectator in the Italian Renaissance / John K.G. Shearman. |
title_fullStr |
Only Connect : Art and the Spectator in the Italian Renaissance / John K.G. Shearman. |
title_full_unstemmed |
Only Connect : Art and the Spectator in the Italian Renaissance / John K.G. Shearman. |
title_auth |
Only Connect : Art and the Spectator in the Italian Renaissance / |
title_alt |
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- I. A MORE ENGAGED SPECTATOR -- II. A SHARED SPACE -- III. PORTRAITS AND POETS -- IV. DOMES -- V. HISTORY, AND ENERGY -- VI. IMITATION, AND THE SLOW FUSE -- SOURCES OF ILLUSTRATIONS -- INDEX |
title_new |
Only Connect : |
title_sort |
only connect : art and the spectator in the italian renaissance / |
series |
Princeton Legacy Library ; |
series2 |
Princeton Legacy Library ; |
publisher |
Princeton University Press, |
publishDate |
2019 |
physical |
1 online resource (286 p.) |
contents |
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- I. A MORE ENGAGED SPECTATOR -- II. A SHARED SPACE -- III. PORTRAITS AND POETS -- IV. DOMES -- V. HISTORY, AND ENERGY -- VI. IMITATION, AND THE SLOW FUSE -- SOURCES OF ILLUSTRATIONS -- INDEX |
isbn |
9780691200774 9783110605785 9783110610017 9783110610765 9783110664232 9783110442496 |
url |
https://doi.org/10.1515/9780691200774?locatt=mode:legacy https://www.degruyter.com/isbn/9780691200774 https://www.degruyter.com/cover/covers/9780691200774.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709/.45/09024 |
dewey-sort |
3709 245 49024 |
dewey-raw |
709/.45/09024 |
dewey-search |
709/.45/09024 |
doi_str_mv |
10.1515/9780691200774?locatt=mode:legacy |
oclc_num |
1121057054 |
work_keys_str_mv |
AT shearmanjohnkg onlyconnectartandthespectatorintheitalianrenaissance |
status_str |
n |
ids_txt_mv |
(DE-B1597)535165 (OCoLC)1121057054 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2019 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
is_hierarchy_title |
Only Connect : Art and the Spectator in the Italian Renaissance / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 |
_version_ |
1770176319852642304 |
fullrecord |
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