Quaint, Exquisite : : Victorian Aesthetics and the Idea of Japan / / Grace Elisabeth Lavery.

From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japa...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2019]
©2019
Year of Publication:2019
Language:English
Online Access:
Physical Description:1 online resource (240 p.)
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100 1 |a Lavery, Grace Elisabeth,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Quaint, Exquisite :  |b Victorian Aesthetics and the Idea of Japan /  |c Grace Elisabeth Lavery. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (240 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface: Another Empire: Victorian Japan --   |t Introduction: Analytic of the Exquisite --   |t 1. Not About Japan --   |t 2. All Margin --   |t 3. The Pre-Raphaelite Haiku --   |t 4. Loving John Ruskin --   |t 5. The Sword and the Chrysanthemum --   |t Notes --   |t Index --   |t Illustration credits 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Aesthetics, Japanese. 
650 0 |a Aesthetics, Modern  |y 19th century. 
650 0 |a Art, Japanese  |y 19th century. 
650 0 |a Arts, British  |x Japanese influences. 
650 0 |a Arts, British  |y 19th century. 
650 7 |a LITERARY CRITICISM / Comparative Literature.  |2 bisacsh 
653 |a Abjection. 
653 |a Aesthetic Theory. 
653 |a Aestheticism. 
653 |a Aesthetics. 
653 |a Allegory. 
653 |a Ambivalence. 
653 |a Anacoluthon. 
653 |a Analogy. 
653 |a Anecdote. 
653 |a Ann Cvetkovich. 
653 |a Asyndeton. 
653 |a Basil Hall Chamberlain. 
653 |a Bathos. 
653 |a Bernard Leach. 
653 |a Biography. 
653 |a Bureaucrat. 
653 |a Caricature. 
653 |a Castration. 
653 |a Criticism. 
653 |a Culture of Japan. 
653 |a Dante Gabriel Rossetti. 
653 |a Edward Said. 
653 |a Emoji. 
653 |a Enthusiasm. 
653 |a Epigram. 
653 |a Epigraph (literature). 
653 |a Ernest Fenollosa. 
653 |a Essay. 
653 |a Euphemism. 
653 |a Ezra Pound. 
653 |a Fine art. 
653 |a Fors Clavigera. 
653 |a Genre. 
653 |a Hannah Arendt. 
653 |a Historicism. 
653 |a Historiography. 
653 |a Hokku. 
653 |a Hokusai. 
653 |a Homosexuality. 
653 |a Hyperbole. 
653 |a Hypocrisy. 
653 |a I. A. Richards. 
653 |a Ideology. 
653 |a Illustration. 
653 |a Irony. 
653 |a Japanese aesthetics. 
653 |a Japanese art. 
653 |a Japanese poetry. 
653 |a John Ruskin. 
653 |a Lecture. 
653 |a Libretto. 
653 |a Literature. 
653 |a Manuscript. 
653 |a Memoir. 
653 |a Metanarrative. 
653 |a Metonymy. 
653 |a Modernism. 
653 |a Modernity. 
653 |a Mr. 
653 |a Narcissism. 
653 |a Narration. 
653 |a Narrative. 
653 |a Natsume Soseki. 
653 |a Novel. 
653 |a Novelist. 
653 |a Orientalism. 
653 |a Oscar Wilde. 
653 |a Parody. 
653 |a Poetry. 
653 |a Postmodernism. 
653 |a Prose. 
653 |a Pseudonym. 
653 |a Psychoanalysis. 
653 |a Publication. 
653 |a Queer theory. 
653 |a Quentin Tarantino. 
653 |a Racism. 
653 |a Roland Barthes. 
653 |a Romanticism. 
653 |a Rossetti. 
653 |a Satire. 
653 |a Sentimentality. 
653 |a Shame. 
653 |a Sui Sin Far. 
653 |a Superiority (short story). 
653 |a Symptom. 
653 |a The Chrysanthemum and the Sword. 
653 |a The Other Hand. 
653 |a The Various. 
653 |a Theory. 
653 |a Thomas Carlyle. 
653 |a Thought. 
653 |a Ukiyo-e. 
653 |a V. 
653 |a Victorian era. 
653 |a W. B. Yeats. 
653 |a Western culture. 
653 |a Writer. 
653 |a Writing. 
653 |a Yone Noguchi. 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Princeton University Press Complete eBook-Package 2019  |z 9783110663365 
776 0 |c print  |z 9780691183626 
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912 |a 978-3-11-066336-5 Princeton University Press Complete eBook-Package 2019  |b 2019 
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