The Grace of the Italian Renaissance / / Ita Mac Carthy.

How grace shaped the Renaissance in Italy"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the react...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Online Access:
Physical Description:1 online resource (272 p.) :; 22 b/w illus., color insert with 10 illustrations
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245 1 4 |a The Grace of the Italian Renaissance /  |c Ita Mac Carthy. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (272 p.) :  |b 22 b/w illus., color insert with 10 illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Acknowledgments --   |t Prologue. Three Graces --   |t Chapter 1. A Renaissance Keyword --   |t Chapter 2. Grace Abounding: Four Contexts --   |t Chapter 3. Grace and Favour: Baldassare Castiglione and Raphael --   |t Chapter 4. Grace and Beauty: Vittoria Colonna and Tullia d’Aragona --   |t Chapter 5. Grace and Ingratitude: Lodovico Dolce and Ludovico Ariosto --   |t Chapter 6. Grace and Labour: Michelangelo Buonarroti and Vittoria Colonna --   |t Conclusion --   |t Notes --   |t Bibliography --   |t Index 
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520 |a How grace shaped the Renaissance in Italy"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work.Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world.Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Italy-Intellectual life-1268-1559. 
650 7 |a HISTORY / Renaissance.  |2 bisacsh 
653 |a Aesthetics. 
653 |a Allegory. 
653 |a Ambivalence. 
653 |a Anathema. 
653 |a Art critic. 
653 |a Art criticism. 
653 |a Art history. 
653 |a Art. 
653 |a Astolfo. 
653 |a Baldassare Castiglione. 
653 |a Balzan. 
653 |a Bembo. 
653 |a Brotton. 
653 |a Buonarroti. 
653 |a Calculation. 
653 |a Canossa. 
653 |a Canti (Leopardi). 
653 |a Catherine of Siena. 
653 |a Christian theology. 
653 |a Clodagh. 
653 |a Close reading. 
653 |a Codrington Library. 
653 |a Council of Trent. 
653 |a Counter-Reformation. 
653 |a Courtesy. 
653 |a Courtier. 
653 |a De Oratore. 
653 |a Decorum. 
653 |a Divine grace. 
653 |a Drawing. 
653 |a Durham University. 
653 |a Emblem. 
653 |a Epigram. 
653 |a Flattery. 
653 |a Francesco del Cossa. 
653 |a Generosity. 
653 |a Giorgio Vasari. 
653 |a Giovanni Pico della Mirandola. 
653 |a God's Grace. 
653 |a God. 
653 |a Grace and favour. 
653 |a Humility. 
653 |a Iconography. 
653 |a Institutio Oratoria. 
653 |a Irony. 
653 |a Italian Renaissance. 
653 |a Johann Joachim Winckelmann. 
653 |a La Fornarina. 
653 |a Lecture. 
653 |a Linguistics. 
653 |a Literature. 
653 |a Lodovico Dolce. 
653 |a Mannerism. 
653 |a Martin McLaughlin. 
653 |a Medici Chapel. 
653 |a Michelangelo. 
653 |a Moderata Fonte. 
653 |a Mythologies (book). 
653 |a Narrative. 
653 |a O'Sullivan. 
653 |a Orlando Furioso. 
653 |a Palazzo Schifanoia. 
653 |a Paragone. 
653 |a Parody. 
653 |a Petrarch. 
653 |a Philology. 
653 |a Philosopher. 
653 |a Pietro Bembo. 
653 |a Pliny the Elder. 
653 |a Poetry. 
653 |a Poliziano. 
653 |a Pope Julius II. 
653 |a Pope Leo X. 
653 |a Pope Paul III. 
653 |a Princeton University Press. 
653 |a Prose. 
653 |a Protogenes. 
653 |a Quintilian. 
653 |a Reginald Pole. 
653 |a Religious experience. 
653 |a Renaissance art. 
653 |a Renaissance humanism. 
653 |a Rhetoric. 
653 |a Romanticism. 
653 |a San Giorgio Maggiore. 
653 |a Sanctification. 
653 |a Satire. 
653 |a Sola fide. 
653 |a Spiritual gift. 
653 |a Spirituali. 
653 |a Spirituality. 
653 |a Sprezzatura. 
653 |a Suggestion. 
653 |a Terence. 
653 |a Thought. 
653 |a Treatise. 
653 |a Tullia d'Aragona. 
653 |a Vittoria Colonna. 
653 |a Work of art. 
653 |a Writing. 
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