Words of Light : : Theses on the Photography of History / / Eduardo Cadava.

Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on iss...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
VerfasserIn:
Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2018]
©1996
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04525nam a22006855i 4500
001 9780691188713
003 DE-B1597
005 20210830012106.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 210830t20181996nju fo d z eng d
020 |a 9780691188713 
024 7 |a 10.1515/9780691188713  |2 doi 
035 |a (DE-B1597)501850 
035 |a (OCoLC)1076447766 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a nju  |c US-NJ 
050 4 |a TR183  |b .C33 1997eb 
072 7 |a PHO010000  |2 bisacsh 
082 0 4 |a 770/.1  |2 23 
100 1 |a Cadava, Eduardo,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Words of Light :  |b Theses on the Photography of History /  |c Eduardo Cadava. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2018] 
264 4 |c ©1996 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Acknowledgments --   |t Abbreviations --   |t Preface: Phōtagōgós --   |t HISTORY --   |t HELIOTROPISM --   |t ORIGINS --   |t MORTIFICATION --   |t GHOSTS --   |t MIMESIS --   |t TRANSLATIONS --   |t INSCRIPTIONS --   |t LIGHTNING --   |t STARS --   |t ETERNAL RETURN --   |t REPRODUCIBILITY --   |t POLITICS --   |t DANGER --   |t CAESURA --   |t TRACES --   |t NIGHTDREAMS --   |t TWILIGHT --   |t AWAKENING --   |t LANGUAGE --   |t MATTER --   |t REFLECTIONS --   |t PSYCHES --   |t SHOCKS --   |t SIMILARITY --   |t PETRIFICATION --   |t DEATH --   |t EPITAPHS --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Historiography. 
650 0 |a Photography  |x Philosophy. 
650 7 |a Photography / History.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Princeton University Press eBook-Package Archive 1927-1999  |z 9783110442496 
856 4 0 |u https://doi.org/10.1515/9780691188713?locatt=mode:legacy 
856 4 0 |u https://www.degruyter.com/isbn/9780691188713 
856 4 2 |3 Cover  |u https://www.degruyter.com/cover/covers/9780691188713.jpg 
912 |a 978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999  |c 1927  |d 1999 
912 |a EBA_BACKALL 
912 |a EBA_CL_MUAR 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a EBA_STMALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA12STME 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK