The First Hundred Years of Mikhail Bakhtin / / Caryl Emerson.

Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. In this candid assessment of his place in Russian and Western thought,...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2018]
©1997
Year of Publication:2018
Language:English
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Physical Description:1 online resource
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245 1 4 |a The First Hundred Years of Mikhail Bakhtin /  |c Caryl Emerson. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Abbreviations --   |t INTRODUCTION. East Meets West in the Ex-USSR --   |t PART ONE: EAXTHHOBEJJEHHE, EAXTHHHCTHKA, EAXTHHOJIOfHH: BAKHTIN STUDIES, BAKHTINISTICS, BAKHTINOLOGY --   |t CHAPTER 1. The Russians Reclaim Bakhtin, 1975 to the Jubilee --   |t CHAPTER 2. Retrospective: Domestic Reception during Bakhtin's Life --   |t PART TWO: LITERATURE FADES, PHILOSOPHY MOVES TO THE FORE (REWORKING THREE PROBLEMATIC AREAS) --   |t CHAPTER 3. Polyphony, Dialogism, Dostoevsky --   |t CHAPTER 4. Carnival: Open-ended Bodies and Anachronistic Histories --   |t CHAPTER 5. BHEHAOДИMOCTЬ: "Outsideness" as the Ethical Dimension of Art (Bakhtin and the Aesthetic Moment) --   |t AFTERWORD. One Year Later: The Prospects for Bakhtin's HHOHayica [inonauka], or "Science in Some Other Way" --   |t Index 
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520 |a Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered in his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian "reclamation." A foremost Bakhtin authority, Caryl Emerson mines extensive Russian sources to explore Bakhtin's reception in Russia, from his earliest publication in 1929 until his death, and his posthumous rediscovery. After a reception-history of Bakhtin's published work, she examines the role of his ideas in the post-Stalinist revival of the Russian literary profession, concentrating on the most provocative rethinkings of three major concepts in his world: dialogue and polyphony; carnival; and "outsideness," a position Bakhtin considered essential to both ethics and aesthetics. Finally, she speculates on the future of Bakhtin's method, which was much more than a tool of criticism: it will "tell you how to teach, write, live, talk, think." 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Criticism  |z Russia (Federation)  |x History. 
650 7 |a LITERARY CRITICISM / Russian & Former Soviet Union.  |2 bisacsh 
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