An Accented Cinema : : Exilic and Diasporic Filmmaking / / Hamid Naficy.
In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Alth...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2018] ©2001 |
Year of Publication: | 2018 |
Language: | English |
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Naficy, Hamid, author. aut http://id.loc.gov/vocabulary/relators/aut An Accented Cinema : Exilic and Diasporic Filmmaking / Hamid Naficy. Princeton, NJ : Princeton University Press, [2018] ©2001 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- List of Illustrations -- AN ACCENTED CINEMA -- Introduction -- 1. Situating Accented Cinema -- 2. Interstitial and Artisanal Mode of Production -- 3. Collective Mode of Production -- 4. Epistolarity and Epistolary Narratives -- 5. Chronotopes of Imagined Homeland -- 6. Chronotopes of Life in Exile: Claustrophobia, Contemporaneity -- 7. Journeying, Border Crossing, and Identity Crossing -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Intercultural communication in motion pictures. Motion pictures Developing countries. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 9783110442502 https://doi.org/10.1515/9780691186214?locatt=mode:legacy https://www.degruyter.com/isbn/9780691186214 Cover https://www.degruyter.com/cover/covers/9780691186214.jpg |
language |
English |
format |
eBook |
author |
Naficy, Hamid, Naficy, Hamid, |
spellingShingle |
Naficy, Hamid, Naficy, Hamid, An Accented Cinema : Exilic and Diasporic Filmmaking / Frontmatter -- Contents -- Acknowledgments -- List of Illustrations -- AN ACCENTED CINEMA -- Introduction -- 1. Situating Accented Cinema -- 2. Interstitial and Artisanal Mode of Production -- 3. Collective Mode of Production -- 4. Epistolarity and Epistolary Narratives -- 5. Chronotopes of Imagined Homeland -- 6. Chronotopes of Life in Exile: Claustrophobia, Contemporaneity -- 7. Journeying, Border Crossing, and Identity Crossing -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index |
author_facet |
Naficy, Hamid, Naficy, Hamid, |
author_variant |
h n hn h n hn |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Naficy, Hamid, |
title |
An Accented Cinema : Exilic and Diasporic Filmmaking / |
title_sub |
Exilic and Diasporic Filmmaking / |
title_full |
An Accented Cinema : Exilic and Diasporic Filmmaking / Hamid Naficy. |
title_fullStr |
An Accented Cinema : Exilic and Diasporic Filmmaking / Hamid Naficy. |
title_full_unstemmed |
An Accented Cinema : Exilic and Diasporic Filmmaking / Hamid Naficy. |
title_auth |
An Accented Cinema : Exilic and Diasporic Filmmaking / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- List of Illustrations -- AN ACCENTED CINEMA -- Introduction -- 1. Situating Accented Cinema -- 2. Interstitial and Artisanal Mode of Production -- 3. Collective Mode of Production -- 4. Epistolarity and Epistolary Narratives -- 5. Chronotopes of Imagined Homeland -- 6. Chronotopes of Life in Exile: Claustrophobia, Contemporaneity -- 7. Journeying, Border Crossing, and Identity Crossing -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index |
title_new |
An Accented Cinema : |
title_sort |
an accented cinema : exilic and diasporic filmmaking / |
publisher |
Princeton University Press, |
publishDate |
2018 |
physical |
1 online resource |
contents |
Frontmatter -- Contents -- Acknowledgments -- List of Illustrations -- AN ACCENTED CINEMA -- Introduction -- 1. Situating Accented Cinema -- 2. Interstitial and Artisanal Mode of Production -- 3. Collective Mode of Production -- 4. Epistolarity and Epistolary Narratives -- 5. Chronotopes of Imagined Homeland -- 6. Chronotopes of Life in Exile: Claustrophobia, Contemporaneity -- 7. Journeying, Border Crossing, and Identity Crossing -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index |
isbn |
9780691186214 9783110442502 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 D44 N34 42001EB |
geographic_facet |
Developing countries. |
url |
https://doi.org/10.1515/9780691186214?locatt=mode:legacy https://www.degruyter.com/isbn/9780691186214 https://www.degruyter.com/cover/covers/9780691186214.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/09172/4 |
dewey-sort |
3791.43 49172 14 |
dewey-raw |
791.43/09172/4 |
dewey-search |
791.43/09172/4 |
doi_str_mv |
10.1515/9780691186214?locatt=mode:legacy |
oclc_num |
1076459252 |
work_keys_str_mv |
AT naficyhamid anaccentedcinemaexilicanddiasporicfilmmaking AT naficyhamid accentedcinemaexilicanddiasporicfilmmaking |
status_str |
n |
ids_txt_mv |
(DE-B1597)501804 (OCoLC)1076459252 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
An Accented Cinema : Exilic and Diasporic Filmmaking / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
_version_ |
1806143273675259904 |
fullrecord |
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