Digital Renaissance : : What Data and Economics Tell Us about the Future of Popular Culture / / Joel Waldfogel.
How digital technology is upending the traditional creative industries—and why that might be a good thingThe digital revolution poses a mortal threat to the major creative industries—music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has un...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2019 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2018] ©2019 |
Year of Publication: | 2018 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (320 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780691185439 |
---|---|
ctrlnum |
(DE-B1597)502960 (OCoLC)1083597511 |
collection |
bib_alma |
record_format |
marc |
spelling |
Waldfogel, Joel, author. aut http://id.loc.gov/vocabulary/relators/aut Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / Joel Waldfogel. Princeton, NJ : Princeton University Press, [2018] ©2019 1 online resource (320 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. The Creative Industries: RISKY, EXPENSIVE, AND WORTH PRESERVING -- PART I: A Tour of some Major Cultural Industries: MUSIC, MOVIES, TELEVISION SHOWS, BOOKS, AND PHOTOGRAPHY -- 2. Digitization in Music: ROCK ON? -- 3.Digitization in Movies: HOLLYWOOD ENDING? -- 4. Digitization in Television: HAS THE VAST WASTELAND BLOSSOMED? -- 5. Digitization in Books: FIFTY SHADES OF DRECK? -- 6. Digitization Further Afield: PHOTOGRAPHY, TRAVEL AGENTS, AND BEYOND -- 7. The value of the digital Renaissance: THE LONG TAIL AND A WHOLE LOT MORE -- PART II: Coming Attractions: FARM TEAM, BUNDLING, PIRATES, VIKInGS, AND TROLLS -- 8. The digital Farm system, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: LESSONS FROM HOLLYWOOD AND BOLLYWOOD -- 10. Digitization, the French, and the Return of the vikings -- 11. Bridge Trolls: THE POSSIBLE THREAT OF TECHNOLOGICAL GATEKEEPERS -- 12. Crisis or Renaissance? -- NOTES -- REFERENCES -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star How digital technology is upending the traditional creative industries—and why that might be a good thingThe digital revolution poses a mortal threat to the major creative industries—music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance.By reducing the costs of production, distribution, and promotion, digital technology is democratizing access to the cultural marketplace. More books, songs, television shows, and movies are being produced than ever before. Nor does this mean a tidal wave of derivative, poorly produced kitsch; analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as successful at producing high-quality, successful work as the old industry model, and in many cases more so. The vaunted gatekeeper role of the creative industries proves to have been largely mythical. The high costs of production have stifled creativity in industries that require ever-bigger blockbusters to cover the losses on ever-more-expensive failures.Are we drowning in a tide of cultural silt, or living in a golden age for culture? The answers in Digital Renaissance may surprise you. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) Cultural industries Technological innovations. Cultural property Protection. Popular culture. BUSINESS & ECONOMICS / Economics / General. bisacsh Airplay. Asher. Author. Availability. Billboard 200. Bollywood. Book. Box office. Bruce Springsteen. Calculation. Career. Charles Dickens. Cinema of the United States. Cinemax. Clive Davis. Copy protection. Copyright. Cost reduction. Creative industries. Creative work. Cultural industry. Customer. DVD. Digital camera. E-book. Economist. Episode. File sharing. Film industry. Filmmaking. Fraud. HarperCollins. Hemlock Grove (TV series). Home appliance. Home video. Hulu. IMDb. ITunes Store. ITunes. Income. Independent record label. Intellectual property. Internet. Justin Bieber. Kindle Direct Publishing. Long tail. Low-budget film. Major film studio. Make Money. Marginal cost. Marketing. Metacritic. Music Is. Music industry. MusicBrainz. Myspace. Napster. Narcos. Netflix. Network effect. Newspaper. Nielsen SoundScan. Novelist. OR Books. Payment. Payola. Percentage. Photographer. Photography. Piracy. Policy. Popular music. Production budget. Publication. Publicity. Publishing. Quantity. Record label. Recording Industry Association of America. Retail. Rotten Tomatoes. Self-publishing. Sibling. Songwriter. Spotify. Streaming media. Subscription business model. TV listings (UK). Technological change. Technology. Telecommunication. Television channel. Television program. Television. The New York Times. Theft. Website. Wide Variety. Year. YouTube. Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2019 9783110663365 print 9780691162829 https://doi.org/10.1515/9780691185439?locatt=mode:legacy https://www.degruyter.com/isbn/9780691185439 Cover https://www.degruyter.com/document/cover/isbn/9780691185439/original |
language |
English |
format |
eBook |
author |
Waldfogel, Joel, Waldfogel, Joel, |
spellingShingle |
Waldfogel, Joel, Waldfogel, Joel, Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. The Creative Industries: RISKY, EXPENSIVE, AND WORTH PRESERVING -- PART I: A Tour of some Major Cultural Industries: MUSIC, MOVIES, TELEVISION SHOWS, BOOKS, AND PHOTOGRAPHY -- 2. Digitization in Music: ROCK ON? -- 3.Digitization in Movies: HOLLYWOOD ENDING? -- 4. Digitization in Television: HAS THE VAST WASTELAND BLOSSOMED? -- 5. Digitization in Books: FIFTY SHADES OF DRECK? -- 6. Digitization Further Afield: PHOTOGRAPHY, TRAVEL AGENTS, AND BEYOND -- 7. The value of the digital Renaissance: THE LONG TAIL AND A WHOLE LOT MORE -- PART II: Coming Attractions: FARM TEAM, BUNDLING, PIRATES, VIKInGS, AND TROLLS -- 8. The digital Farm system, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: LESSONS FROM HOLLYWOOD AND BOLLYWOOD -- 10. Digitization, the French, and the Return of the vikings -- 11. Bridge Trolls: THE POSSIBLE THREAT OF TECHNOLOGICAL GATEKEEPERS -- 12. Crisis or Renaissance? -- NOTES -- REFERENCES -- INDEX |
author_facet |
Waldfogel, Joel, Waldfogel, Joel, |
author_variant |
j w jw j w jw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Waldfogel, Joel, |
title |
Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / |
title_sub |
What Data and Economics Tell Us about the Future of Popular Culture / |
title_full |
Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / Joel Waldfogel. |
title_fullStr |
Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / Joel Waldfogel. |
title_full_unstemmed |
Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / Joel Waldfogel. |
title_auth |
Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. The Creative Industries: RISKY, EXPENSIVE, AND WORTH PRESERVING -- PART I: A Tour of some Major Cultural Industries: MUSIC, MOVIES, TELEVISION SHOWS, BOOKS, AND PHOTOGRAPHY -- 2. Digitization in Music: ROCK ON? -- 3.Digitization in Movies: HOLLYWOOD ENDING? -- 4. Digitization in Television: HAS THE VAST WASTELAND BLOSSOMED? -- 5. Digitization in Books: FIFTY SHADES OF DRECK? -- 6. Digitization Further Afield: PHOTOGRAPHY, TRAVEL AGENTS, AND BEYOND -- 7. The value of the digital Renaissance: THE LONG TAIL AND A WHOLE LOT MORE -- PART II: Coming Attractions: FARM TEAM, BUNDLING, PIRATES, VIKInGS, AND TROLLS -- 8. The digital Farm system, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: LESSONS FROM HOLLYWOOD AND BOLLYWOOD -- 10. Digitization, the French, and the Return of the vikings -- 11. Bridge Trolls: THE POSSIBLE THREAT OF TECHNOLOGICAL GATEKEEPERS -- 12. Crisis or Renaissance? -- NOTES -- REFERENCES -- INDEX |
title_new |
Digital Renaissance : |
title_sort |
digital renaissance : what data and economics tell us about the future of popular culture / |
publisher |
Princeton University Press, |
publishDate |
2018 |
physical |
1 online resource (320 p.) |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. The Creative Industries: RISKY, EXPENSIVE, AND WORTH PRESERVING -- PART I: A Tour of some Major Cultural Industries: MUSIC, MOVIES, TELEVISION SHOWS, BOOKS, AND PHOTOGRAPHY -- 2. Digitization in Music: ROCK ON? -- 3.Digitization in Movies: HOLLYWOOD ENDING? -- 4. Digitization in Television: HAS THE VAST WASTELAND BLOSSOMED? -- 5. Digitization in Books: FIFTY SHADES OF DRECK? -- 6. Digitization Further Afield: PHOTOGRAPHY, TRAVEL AGENTS, AND BEYOND -- 7. The value of the digital Renaissance: THE LONG TAIL AND A WHOLE LOT MORE -- PART II: Coming Attractions: FARM TEAM, BUNDLING, PIRATES, VIKInGS, AND TROLLS -- 8. The digital Farm system, and the Promise of Bundling -- 9. A Tale of Two Intellectual Property Regimes: LESSONS FROM HOLLYWOOD AND BOLLYWOOD -- 10. Digitization, the French, and the Return of the vikings -- 11. Bridge Trolls: THE POSSIBLE THREAT OF TECHNOLOGICAL GATEKEEPERS -- 12. Crisis or Renaissance? -- NOTES -- REFERENCES -- INDEX |
isbn |
9780691185439 9783110663365 9780691162829 |
url |
https://doi.org/10.1515/9780691185439?locatt=mode:legacy https://www.degruyter.com/isbn/9780691185439 https://www.degruyter.com/document/cover/isbn/9780691185439/original |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
330 - Economics |
dewey-ones |
338 - Production |
dewey-full |
338.4/77 |
dewey-sort |
3338.4 277 |
dewey-raw |
338.4/77 |
dewey-search |
338.4/77 |
doi_str_mv |
10.1515/9780691185439?locatt=mode:legacy |
oclc_num |
1083597511 |
work_keys_str_mv |
AT waldfogeljoel digitalrenaissancewhatdataandeconomicstellusaboutthefutureofpopularculture |
status_str |
n |
ids_txt_mv |
(DE-B1597)502960 (OCoLC)1083597511 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2019 |
is_hierarchy_title |
Digital Renaissance : What Data and Economics Tell Us about the Future of Popular Culture / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2019 |
_version_ |
1806143256020385792 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>08071nam a2201849Ia 4500</leader><controlfield tag="001">9780691185439</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20240426104009.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">240426t20182019nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691185439</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691185439</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)502960</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1083597511</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">BUS069000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">338.4/77</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Waldfogel, Joel, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Digital Renaissance :</subfield><subfield code="b">What Data and Economics Tell Us about the Future of Popular Culture /</subfield><subfield code="c">Joel Waldfogel.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (320 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">ACKNOWLEDGMENTS -- </subfield><subfield code="t">1. The Creative Industries: RISKY, EXPENSIVE, AND WORTH PRESERVING -- </subfield><subfield code="t">PART I: A Tour of some Major Cultural Industries: MUSIC, MOVIES, TELEVISION SHOWS, BOOKS, AND PHOTOGRAPHY -- </subfield><subfield code="t">2. Digitization in Music: ROCK ON? -- </subfield><subfield code="t">3.Digitization in Movies: HOLLYWOOD ENDING? -- </subfield><subfield code="t">4. Digitization in Television: HAS THE VAST WASTELAND BLOSSOMED? -- </subfield><subfield code="t">5. Digitization in Books: FIFTY SHADES OF DRECK? -- </subfield><subfield code="t">6. Digitization Further Afield: PHOTOGRAPHY, TRAVEL AGENTS, AND BEYOND -- </subfield><subfield code="t">7. The value of the digital Renaissance: THE LONG TAIL AND A WHOLE LOT MORE -- </subfield><subfield code="t">PART II: Coming Attractions: FARM TEAM, BUNDLING, PIRATES, VIKInGS, AND TROLLS -- </subfield><subfield code="t">8. The digital Farm system, and the Promise of Bundling -- </subfield><subfield code="t">9. A Tale of Two Intellectual Property Regimes: LESSONS FROM HOLLYWOOD AND BOLLYWOOD -- </subfield><subfield code="t">10. Digitization, the French, and the Return of the vikings -- </subfield><subfield code="t">11. Bridge Trolls: THE POSSIBLE THREAT OF TECHNOLOGICAL GATEKEEPERS -- </subfield><subfield code="t">12. Crisis or Renaissance? -- </subfield><subfield code="t">NOTES -- </subfield><subfield code="t">REFERENCES -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">How digital technology is upending the traditional creative industries—and why that might be a good thingThe digital revolution poses a mortal threat to the major creative industries—music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance.By reducing the costs of production, distribution, and promotion, digital technology is democratizing access to the cultural marketplace. More books, songs, television shows, and movies are being produced than ever before. Nor does this mean a tidal wave of derivative, poorly produced kitsch; analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as successful at producing high-quality, successful work as the old industry model, and in many cases more so. The vaunted gatekeeper role of the creative industries proves to have been largely mythical. The high costs of production have stifled creativity in industries that require ever-bigger blockbusters to cover the losses on ever-more-expensive failures.Are we drowning in a tide of cultural silt, or living in a golden age for culture? The answers in Digital Renaissance may surprise you.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cultural industries</subfield><subfield code="x">Technological innovations.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cultural property</subfield><subfield code="x">Protection.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular culture.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BUSINESS & ECONOMICS / Economics / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Airplay.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Asher.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Author.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Availability.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Billboard 200.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bollywood.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Book.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Box office.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bruce Springsteen.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Calculation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Career.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Charles Dickens.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinema of the United States.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinemax.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Clive Davis.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Copy protection.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Copyright.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cost reduction.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Creative industries.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Creative work.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cultural industry.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Customer.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">DVD.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Digital camera.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">E-book.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Economist.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Episode.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">File sharing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Film industry.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Filmmaking.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Fraud.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">HarperCollins.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hemlock Grove (TV series).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Home appliance.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Home video.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hulu.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">IMDb.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ITunes Store.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ITunes.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Income.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Independent record label.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Intellectual property.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Internet.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Justin Bieber.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Kindle Direct Publishing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Long tail.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Low-budget film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Major film studio.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Make Money.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marginal cost.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marketing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Metacritic.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Music Is.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Music industry.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">MusicBrainz.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Myspace.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Napster.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Narcos.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Netflix.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Network effect.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Newspaper.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Nielsen SoundScan.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Novelist.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">OR Books.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Payment.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Payola.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Percentage.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Photographer.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Photography.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Piracy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Policy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Popular music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Production budget.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Publication.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Publicity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Publishing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Quantity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Record label.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Recording Industry Association of America.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Retail.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rotten Tomatoes.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Self-publishing.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sibling.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Songwriter.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Spotify.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Streaming media.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Subscription business model.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">TV listings (UK).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Technological change.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Technology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Telecommunication.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Television channel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Television program.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Television.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The New York Times.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Theft.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Website.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Wide Variety.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Year.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">YouTube.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Princeton University Press Complete eBook-Package 2019</subfield><subfield code="z">9783110663365</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780691162829</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691185439?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780691185439</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780691185439/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-066336-5 Princeton University Press Complete eBook-Package 2019</subfield><subfield code="b">2019</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LAEC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LAEC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield></record></collection> |