Standing Soldiers, Kneeling Slaves : : Race, War, and Monument in Nineteenth-Century America, New Edition / / Kirk Savage.

The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2018 English
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2018]
©2018
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (296 p.)
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100 1 |a Savage, Kirk,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Standing Soldiers, Kneeling Slaves :  |b Race, War, and Monument in Nineteenth-Century America, New Edition /  |c Kirk Savage. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (296 p.) 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface to the New Edition --   |t Acknowledgments --   |t Introduction --   |t Exposing Slavery --   |t Imagining Emancipation --   |t Freedom’s Memorial --   |t Slavery’s Memorial --   |t Common Soldiers --   |t Epilogue --   |t Notes --   |t Index --   |t Illustration Credits 
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520 |a The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a National characteristics, American  |x History  |y 19th century. 
650 0 |a Public sculpture  |z United States  |x History  |y 19th century. 
650 0 |a Public sculpture, American  |y 19th century. 
650 0 |a Slaves  |x Emancipation  |z United States. 
650 7 |a HISTORY / United States / 20th Century.  |2 bisacsh 
653 |a Abolitionism. 
653 |a African Americans. 
653 |a Allegory. 
653 |a Americans. 
653 |a Anecdote. 
653 |a Apollo Belvedere. 
653 |a Archer Alexander. 
653 |a Augustus Saint-Gaudens. 
653 |a Black body. 
653 |a Black people. 
653 |a Black school. 
653 |a Booker T. Washington. 
653 |a Caricature. 
653 |a Cemetery. 
653 |a Citizenship. 
653 |a Civilization. 
653 |a Collective memory. 
653 |a Confederate States of America. 
653 |a Criticism. 
653 |a Debasement. 
653 |a Emancipation Proclamation. 
653 |a Emblem. 
653 |a Equestrian statue. 
653 |a Exclusion. 
653 |a Expatriate. 
653 |a Freedman. 
653 |a George Washington Williams. 
653 |a Grand Army of the Republic. 
653 |a Harper's Weekly. 
653 |a Harriet Beecher Stowe. 
653 |a Harriet Hosmer. 
653 |a Henry Highland Garnet. 
653 |a Hiram Powers. 
653 |a Iconography. 
653 |a Ideology. 
653 |a Illustration. 
653 |a Institution. 
653 |a John C. Calhoun. 
653 |a John Mercer Langston. 
653 |a John Quincy Adams Ward. 
653 |a Laborer. 
653 |a Liminality. 
653 |a Lincoln Memorial. 
653 |a Lincoln Monument (Dixon, Illinois). 
653 |a Lorado Taft. 
653 |a Lydia Maria Child. 
653 |a Manumission. 
653 |a Martin Luther King, Jr. 
653 |a Masculinity. 
653 |a Militarism. 
653 |a Military service. 
653 |a Militia. 
653 |a Monument Avenue. 
653 |a Monumental sculpture. 
653 |a Narrative. 
653 |a Nationality. 
653 |a Newspaper. 
653 |a Noel Ignatiev. 
653 |a Nudity. 
653 |a Old South. 
653 |a Oppression. 
653 |a Orlando Patterson. 
653 |a Patriarchy. 
653 |a Pediment. 
653 |a Physiognomy. 
653 |a Politician. 
653 |a Politics. 
653 |a Public space. 
653 |a Race (human categorization). 
653 |a Racial hierarchy. 
653 |a Racism. 
653 |a Radical Republican. 
653 |a Randolph Rogers. 
653 |a Relief. 
653 |a Rhetoric. 
653 |a Robert Gould Shaw. 
653 |a Sculpture. 
653 |a Slavery. 
653 |a Social death. 
653 |a Sojourner Truth. 
653 |a Statue. 
653 |a Suggestion. 
653 |a Superiority (short story). 
653 |a The Greek Slave. 
653 |a The New York Times. 
653 |a The Other Hand. 
653 |a The Various. 
653 |a Thomas Wentworth Higginson. 
653 |a Union Army. 
653 |a Vinnie Ream. 
653 |a War memorial. 
653 |a Warfare. 
653 |a White Southerners. 
653 |a White people. 
653 |a White supremacy. 
653 |a William Dean Howells. 
653 |a William Greenleaf Eliot. 
653 |a William Wetmore Story. 
653 |a Winthrop Jordan. 
653 |a Writing. 
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