Tokyo Boogie-Woogie : : Japan's Pop Era and Its Discontents / / Hiromu Nagahara.

Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan'...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2017]
©2017
Year of Publication:2017
Language:English
Online Access:
Physical Description:1 online resource (288 p.)
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction: The Popular Song Era --   |t 1. The Invention of Popular Song --   |t 2. The State as Critic and Consumer --   |t 3. The Long War on Popular Song --   |t 4. Boogie- Woogie Democracy --   |t 5. The End of Popular Song and of Critique --   |t Conclusion: The Television Age and Beyond --   |t Notes --   |t Acknowledgments --   |t Index  
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan's transformation into a postwar middle-class society. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2020) 
650 0 |a Popular music  |x Social aspects  |z Japan  |x History  |y 20th century. 
650 0 |a Popular music  |z Japan  |x History and criticism. 
650 7 |a HISTORY / Asia / Japan.  |2 bisacsh 
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