Music as Biology : : The Tones We Like and Why / / Dale Purves.

Why do human beings find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out the billions that are possible? Dale Purves shows that rethinking music theory in biological terms offers a new approach to centuries-long debates about the or...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2017
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2017]
©2017
Year of Publication:2017
Language:English
Online Access:
Physical Description:1 online resource (164 p.) :; 44 color illustrations, 2 halftones, 4 tables
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Description
Other title:Frontmatter --
Contents --
Preface --
1. Sound Signals and Sound Stimuli --
2. The Perception of Sound Signals --
3. Human Vocalization --
4. Music and Vocal Similarity --
5. Consonance and Dissonance --
6. Musical Scales --
7. Music and Emotion --
8. Music and Speech across Cultures --
9. Implications --
Appendix: An Overview of the Human Auditory System --
Glossary --
Bibliography --
Acknowledgments --
Index
Summary:Why do human beings find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out the billions that are possible? Dale Purves shows that rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780674972988
9783110543315
DOI:10.4159/9780674972988
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Dale Purves.