Beginning at the End : : Decadence, Modernism, and Postcolonial Poetry / / Robert Stilling Stilling.
During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were “beginning at the end,” skipping the inventive phase of youth for a decadence thought more typical of Europe’s declining empires. Robert Stilling takes up Fanon’s assertion to argue that...
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2018] ©2018 |
Year of Publication: | 2018 |
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Stilling, Robert Stilling, author. aut http://id.loc.gov/vocabulary/relators/aut Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / Robert Stilling Stilling. Cambridge, MA : Harvard University Press, [2018] ©2018 1 online resource (350 p.) : 24 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- INTRODUCTION. Decadence and Decolonization -- CHAPTER 1. Agha Shahid Ali, Oscar Wilde, and the Politics of Form for Form’s Sake -- CHAPTER 2. Decadence and the Visual Arts in Derek Walcott’s West Indies -- CHAPTER 3. Decadence and Antirealism in the Art of Yinka Shonibare -- CHAPTER 4. Bernardine Evaristo’s Silver Age Poetics -- CHAPTER 5. Decadence and the Archive in Derek Mahon’s The Yellow Book -- CONCLUSION: Dandies at the Gate -- Notes -- Acknowledgments -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were “beginning at the end,” skipping the inventive phase of youth for a decadence thought more typical of Europe’s declining empires. Robert Stilling takes up Fanon’s assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art. In Stilling’s account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art’s sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era. Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups—European decadents and postcolonial artists—maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Decadence (Literary movement) Developing countries. Postcolonialism and the arts. Postcolonialism in literature. LAW / Legal History. bisacsh Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2018 9783110606621 https://doi.org/10.4159/9780674919716 https://www.degruyter.com/isbn/9780674919716 Cover https://www.degruyter.com/cover/covers/9780674919716.jpg |
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Stilling, Robert Stilling, Stilling, Robert Stilling, |
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Stilling, Robert Stilling, Stilling, Robert Stilling, Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / Frontmatter -- Contents -- INTRODUCTION. Decadence and Decolonization -- CHAPTER 1. Agha Shahid Ali, Oscar Wilde, and the Politics of Form for Form’s Sake -- CHAPTER 2. Decadence and the Visual Arts in Derek Walcott’s West Indies -- CHAPTER 3. Decadence and Antirealism in the Art of Yinka Shonibare -- CHAPTER 4. Bernardine Evaristo’s Silver Age Poetics -- CHAPTER 5. Decadence and the Archive in Derek Mahon’s The Yellow Book -- CONCLUSION: Dandies at the Gate -- Notes -- Acknowledgments -- Index |
author_facet |
Stilling, Robert Stilling, Stilling, Robert Stilling, |
author_variant |
r s s rs rss r s s rs rss |
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VerfasserIn VerfasserIn |
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Stilling, Robert Stilling, |
title |
Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / |
title_sub |
Decadence, Modernism, and Postcolonial Poetry / |
title_full |
Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / Robert Stilling Stilling. |
title_fullStr |
Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / Robert Stilling Stilling. |
title_full_unstemmed |
Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / Robert Stilling Stilling. |
title_auth |
Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / |
title_alt |
Frontmatter -- Contents -- INTRODUCTION. Decadence and Decolonization -- CHAPTER 1. Agha Shahid Ali, Oscar Wilde, and the Politics of Form for Form’s Sake -- CHAPTER 2. Decadence and the Visual Arts in Derek Walcott’s West Indies -- CHAPTER 3. Decadence and Antirealism in the Art of Yinka Shonibare -- CHAPTER 4. Bernardine Evaristo’s Silver Age Poetics -- CHAPTER 5. Decadence and the Archive in Derek Mahon’s The Yellow Book -- CONCLUSION: Dandies at the Gate -- Notes -- Acknowledgments -- Index |
title_new |
Beginning at the End : |
title_sort |
beginning at the end : decadence, modernism, and postcolonial poetry / |
publisher |
Harvard University Press, |
publishDate |
2018 |
physical |
1 online resource (350 p.) : 24 halftones |
contents |
Frontmatter -- Contents -- INTRODUCTION. Decadence and Decolonization -- CHAPTER 1. Agha Shahid Ali, Oscar Wilde, and the Politics of Form for Form’s Sake -- CHAPTER 2. Decadence and the Visual Arts in Derek Walcott’s West Indies -- CHAPTER 3. Decadence and Antirealism in the Art of Yinka Shonibare -- CHAPTER 4. Bernardine Evaristo’s Silver Age Poetics -- CHAPTER 5. Decadence and the Archive in Derek Mahon’s The Yellow Book -- CONCLUSION: Dandies at the Gate -- Notes -- Acknowledgments -- Index |
isbn |
9780674919716 9783110606621 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN56 |
callnumber-sort |
PN 256 D45 |
geographic_facet |
Developing countries. |
url |
https://doi.org/10.4159/9780674919716 https://www.degruyter.com/isbn/9780674919716 https://www.degruyter.com/cover/covers/9780674919716.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809/.911 |
dewey-sort |
3809 3911 |
dewey-raw |
809/.911 |
dewey-search |
809/.911 |
doi_str_mv |
10.4159/9780674919716 |
oclc_num |
1030304374 |
work_keys_str_mv |
AT stillingrobertstilling beginningattheenddecadencemodernismandpostcolonialpoetry |
status_str |
n |
ids_txt_mv |
(DE-B1597)501487 (OCoLC)1030304374 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2018 |
is_hierarchy_title |
Beginning at the End : Decadence, Modernism, and Postcolonial Poetry / |
container_title |
Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2018 |
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1770176280538382336 |
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