From ‹i›Mankind‹/i› to Marlowe : : Growth of Structure in the Popular Drama of Tudor England / / David M. Bevington.
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| Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package |
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| Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1962 |
| Year of Publication: | 2013 |
| Edition: | Reprint 2013 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (310 p.) |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- I. Introduction: From Mankind to Marlowe
- II. Criteria for a Popular Repertory
- III. Auspices for the Élite Drama
- IV. The Popular Canon
- V. "Four Men and a Boy"
- VI. The Tradition of Versatility
- VII. Doubling Patterns in the 1580's and 1590's
- VIII. The Origins of Popular Dramatic Structure
- IX. The Pioneering Contributions of Bale and Skelton
- X. The Intermediate Morality: Repetition, Expansion, and Elaboration
- XI. Dual Protagonists and a Formula for Homiletic Tragedy
- XII. The Transition to Chronicle
- XIII. The Transition to Romance
- XIV. Tamburlaine the Great
- XV. The Jew of Malta
- XVI. Edward II
- XVII. The Conflict of Conscience and Doctor Faustus
- Appendix: Plays "Offered for Acting"
- The Texts of the Plays
- A List of Works Frequently Cited
- Notes
- Index