Malory's ‹i›Morte Darthur‹/i› / / Larry D. Benson.

• Superior document: Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package
• VerfasserIn: Benson, Larry D.,
• Place / Publishing House: Cambridge, MA : : Harvard University Press, , [2013]; ©1976
• Year of Publication: 2013
• Edition: Reprint 2013
• Language: English
• Physical Description: 1 online resource (289 p.)
• Other title: Frontmatter --; Preface --; Contents --; I. Malory and Arthurian Romance --; 1. Malory and the Prose Cycles --; 2. Fifteenth-Century Prose Romance --; II. Malory and English Romance --; 3. Techniques of Adaptation: The Tale of King Arthur and Arthur and Lucius --; 4. Thematic Invention: A Noble Tale of Sir Lancelot --; 5. The Tale of Sir Gareth --; 6. The Book of Sir Tristram --; III. Malory and Chivalry --; 7. Fifteenth-Century Chivalry --; 8. Knighthood in Life and Literature --; 9. The Realism of Fifteenth-Century Romance --; IV. The Fall of Camelot --; 10. The Tale of the Sancgreal --; 11. The Book of Sir Lancelot and Guenevere --; 12. The Death of Arthur --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780674733589; 9783110353488; 9783110353501; 9783110442212
• DOI: 10.4159/harvard.9780674733589
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Larry D. Benson.

Sir Thomas Malory's Morte Darthur has delighted readers of English literature for over five hundred years and has shaped our images of chivalry, of knight-errantry, of adventure in King Arthur's time, of courtly love. In the past three decades literary critics have shown Malory to be an artist of skill and imagination, worthy of careful study as well as general popularity. One of the prices we have paid for this critical attention, Larry Benson argues, is an increasingly gloomy interpretation, so that what seemed a joyous celebration of Arthurian chivalry has become a dark, even "existential" tragedy. He here reestablishes the work as a chivalric romance by examining it against the background of fifteenth-century knighthood and literary traditions.Benson relates the Morte Darthur to the Arthurian prose cycles as they developed in the thirteenth to fifteenth centuries and to the English romance tradition. He is able to trace Malory's general development as a writer by showing the ways in which he applies his narrative techniques with increasing skill from the early tales to his first completely successful works, The Tale of Sir Gareth and The Book of Sir Tristram. His research into chivalric practices in the fifteenth century reveal that Malory was a much more realistic writer than is generally thought. Benson tells his story in a most readable style.