Wordless Rhetoric : : Musical Form and the Metaphor of the Oration / / Mark Evan Bonds.
Although “form” is one of the most commonly used terms in music interpretation, it remains one of the most ambiguous. This penetrating study explores evolving ideas of musical form from a historical perspective and sheds new light on current conceptualizations of music.Mark Evan Bonds examines the i...
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1991 |
Year of Publication: | 2013 |
Edition: | Reprint 2013 |
Language: | English |
Series: | Studies in the History of Music ;
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Physical Description: | 1 online resource (237 p.) :; 24 line illustrations |
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Bonds, Mark Evan, author. aut http://id.loc.gov/vocabulary/relators/aut Wordless Rhetoric : Musical Form and the Metaphor of the Oration / Mark Evan Bonds. Reprint 2013 Cambridge, MA : Harvard University Press, [2013] ©1991 1 online resource (237 p.) : 24 line illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Studies in the History of Music ; 4 Frontmatter -- Acknowledgments -- Contents -- Abbreviations -- INTRODUCTION. Musical Form and Metaphor -- CHAPTER 1. The Paradox of Musical Form -- CHAPTER 2. Rhetoric and the Concept of Musical Form in the Eighteenth Century -- CHAPTER 3. Continuity and Change in Later Metaphors of Form -- CHAPTER 4. Rhetoric and the Autonomy of Instrumental Music -- CHAPTER 5. Rhetoric and the Role of the Listener in the Analysis of Large-Scale Form -- Originals of Quotations Given in Translation -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Although “form” is one of the most commonly used terms in music interpretation, it remains one of the most ambiguous. This penetrating study explores evolving ideas of musical form from a historical perspective and sheds new light on current conceptualizations of music.Mark Evan Bonds examines the image—dominant among eighteenth-century composers and analysts—of music as a language, a kind of wordless discourse, which could move audiences. In the Baroque and Classical periods an instrumental composition was viewed as analogous to an oration, its form the intelligible elaboration of a central thematic idea. The predominant emphasis, therefore, was on the perspective of the listener. This rhetorical metaphor is shown giving way in the nineteenth century to the idea of a musical work as an organic entity, an image that emphasizes the autonomy of the work. The listener, in effect, becomes merely an interested third party.In his account of these changing perspectives, Bonds draws on the writing of a broad range of eighteenth- and nineteenth-century theorists. His analyses focus on specific sonata form movements by Haydn, Mozart, and Beethoven and are informed by the theoretical premises that characterize the composers’ own times. In a final synthesis, the eighteenth-century rhetorical model—with its focus on the structural function of musical ideas and the role of the listener—emerges as a forerunner of today’s listener-oriented and plot theories about musical form.In Wordless Rhetoric, Bonds makes fruitful use of literary theory to develop his innovative evaluation of musical form. This book will be invaluable to anyone who studies music or seeks to understand music analysis. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Musical form. Musik. Retorica. Vormleer (muziek). Music -- Philosophy and aesthetics. MUSIC / General. bisacsh Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package 9783110353471 ZDB-23-HAA Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package 9783110353488 ZDB-23-HCO Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 9783110442212 print 9780674733404 https://doi.org/10.4159/harvard.9780674733411 https://www.degruyter.com/isbn/9780674733411 Cover https://www.degruyter.com/cover/covers/9780674733411.jpg |
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English |
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author |
Bonds, Mark Evan, Bonds, Mark Evan, |
spellingShingle |
Bonds, Mark Evan, Bonds, Mark Evan, Wordless Rhetoric : Musical Form and the Metaphor of the Oration / Studies in the History of Music ; Frontmatter -- Acknowledgments -- Contents -- Abbreviations -- INTRODUCTION. Musical Form and Metaphor -- CHAPTER 1. The Paradox of Musical Form -- CHAPTER 2. Rhetoric and the Concept of Musical Form in the Eighteenth Century -- CHAPTER 3. Continuity and Change in Later Metaphors of Form -- CHAPTER 4. Rhetoric and the Autonomy of Instrumental Music -- CHAPTER 5. Rhetoric and the Role of the Listener in the Analysis of Large-Scale Form -- Originals of Quotations Given in Translation -- Index |
author_facet |
Bonds, Mark Evan, Bonds, Mark Evan, |
author_variant |
m e b me meb m e b me meb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Bonds, Mark Evan, |
title |
Wordless Rhetoric : Musical Form and the Metaphor of the Oration / |
title_sub |
Musical Form and the Metaphor of the Oration / |
title_full |
Wordless Rhetoric : Musical Form and the Metaphor of the Oration / Mark Evan Bonds. |
title_fullStr |
Wordless Rhetoric : Musical Form and the Metaphor of the Oration / Mark Evan Bonds. |
title_full_unstemmed |
Wordless Rhetoric : Musical Form and the Metaphor of the Oration / Mark Evan Bonds. |
title_auth |
Wordless Rhetoric : Musical Form and the Metaphor of the Oration / |
title_alt |
Frontmatter -- Acknowledgments -- Contents -- Abbreviations -- INTRODUCTION. Musical Form and Metaphor -- CHAPTER 1. The Paradox of Musical Form -- CHAPTER 2. Rhetoric and the Concept of Musical Form in the Eighteenth Century -- CHAPTER 3. Continuity and Change in Later Metaphors of Form -- CHAPTER 4. Rhetoric and the Autonomy of Instrumental Music -- CHAPTER 5. Rhetoric and the Role of the Listener in the Analysis of Large-Scale Form -- Originals of Quotations Given in Translation -- Index |
title_new |
Wordless Rhetoric : |
title_sort |
wordless rhetoric : musical form and the metaphor of the oration / |
series |
Studies in the History of Music ; |
series2 |
Studies in the History of Music ; |
publisher |
Harvard University Press, |
publishDate |
2013 |
physical |
1 online resource (237 p.) : 24 line illustrations |
edition |
Reprint 2013 |
contents |
Frontmatter -- Acknowledgments -- Contents -- Abbreviations -- INTRODUCTION. Musical Form and Metaphor -- CHAPTER 1. The Paradox of Musical Form -- CHAPTER 2. Rhetoric and the Concept of Musical Form in the Eighteenth Century -- CHAPTER 3. Continuity and Change in Later Metaphors of Form -- CHAPTER 4. Rhetoric and the Autonomy of Instrumental Music -- CHAPTER 5. Rhetoric and the Role of the Listener in the Analysis of Large-Scale Form -- Originals of Quotations Given in Translation -- Index |
isbn |
9780674733411 9783110353471 9783110353488 9783110442212 9780674733404 |
url |
https://doi.org/10.4159/harvard.9780674733411 https://www.degruyter.com/isbn/9780674733411 https://www.degruyter.com/cover/covers/9780674733411.jpg |
illustrated |
Not Illustrated |
doi_str_mv |
10.4159/harvard.9780674733411 |
oclc_num |
900816957 |
work_keys_str_mv |
AT bondsmarkevan wordlessrhetoricmusicalformandthemetaphoroftheoration |
status_str |
n |
ids_txt_mv |
(DE-B1597)247668 (OCoLC)900816957 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 |
is_hierarchy_title |
Wordless Rhetoric : Musical Form and the Metaphor of the Oration / |
container_title |
Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
_version_ |
1806143253655846912 |
fullrecord |
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