After Beethoven : : The Imperative of Originality in the Symphony / / Mark Evan Bonds.
Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers--Berlioz...
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Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1996 |
Year of Publication: | 2013 |
Edition: | Reprint 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (212 p.) :; musical illustrations |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- ABBREVIATIONS
- Introduction
- 1. The Voice of Tradition and the Voice from Within
- 2. Sinfonia anti-eroica
- 3. The Flight of Icarus
- 4. Going to Extremes
- 5. The Ideology of Genre
- 6.Ambivalent Elysium
- Selected Bibliography
- Index