The Collective Dream in Art : : A Psycho-Historical Theory of Culture Based on Relations between the Arts, Psychology, and the Social Sciences / / Walter Abell.
The Collective Dream in Art is a pioneer work in the synthesis of art interpretation. Believing that no existing interpretive approach to art is in itself the whole answer to understanding a work of art, Professor Abell has attempted to correlate the various critical approaches to visual art and the...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
---|---|
VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1957 |
Year of Publication: | 2013 |
Edition: | Reprint 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (378 p.) :; 108 halftones |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- ACKNOWLEDGMENT
- CONTENTS
- LIST OF ILLUSTRATIONS
- PART I. DEVELOPMENT OF THE PSYCHO-HISTORICAL THEORY
- Chapter I. INTRODUCTION
- Chapter II. PSYCHOANALYSIS AND THE INTERPRETATION OF CULTURE
- Chapter III. HISTORICAL AND MATERIALIST INTERPRETATIONS OF CULTURE
- Chapter IV. THE THEORY OF THE COLLECTIVE UNCONSCIOUS
- Chapter V. THE TENSION-IMAGERY PROCESS IN PSYCHO-HISTORICAL INTEGRATION
- Chapter VI. TENSION IMAGERY AND CULTURE IN PSYCHO-HISTORICAL INTEGRATION
- Chapter VII. MYTH AND NEAR MYTH IN PSYCHO-HISTORICAL INTEGRATION
- Chapter VIII. TENSIONAL TRANSFORMATION
- Chapter IX. CORRELATIONAL SUMMARY
- PART II. A PSYCHO-HISTORICAL STUDY OF MEDIEVAL WESTERN CULTURE AND ITS LOST BACKGROUNDS
- Chapter Χ. ART AND MYTH IN MEDIEVAL WESTERN EUROPE — WITH SUGGESTED EQUIVALENTS FOR LOST PREDECESSORS
- Chapter XI. MYTH AND HISTORY IN SOME NEOLITHIC CULTURES
- Chapter XII. MYTH AND HISTORY IN THE DARK AGES
- Chapter XIII. MYTH AND HISTORY IN THE MIDDLE AGES
- Chapter XIV. REALISM , ABSTRACTION, AND PSYCHO-HISTORY
- Chapter ΧV. THE PSYCHO-HISTORICAL THEORY; RECAPITULATION AND EXPANSION
- PART III. ASPECTS AND IMPLICATIONS OF THE PSYCHO-HISTORICAL POINT OF VIEW
- Chapter ΧVI. SOME IMPLICATIONS FOR THE HISTORY OF ART
- Chapter XVII. TOWARD A UNIFIED FIELD IN CRITICAL STUDIES
- Chapter XVIII. THE VOCATION OF THE ARTIST
- Chapter XIX. ART AND SOCIETY: CONTEMPORARY CULTURAL CONFLICTS
- NOTES
- INDEX
- PLATES