Public Spectacles in Roman and Late Antique Palestine / / Zeev Weiss.

Public Spectacles in Roman and Late Antique Palestine introduces readers to the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a trove of original archaeological and textual evidence, Zeev Weiss reconstructs an ancient worl...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Complete Package 2014
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2014]
©2014
Year of Publication:2014
Edition:39 halftones, 15 line illustrations, 1 map
Language:English
Series:Revealing Antiquity , 21
Online Access:
Physical Description:1 online resource (377 p.) :; 39 halftones, 15 line illustrations, 1 map
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245 1 0 |a Public Spectacles in Roman and Late Antique Palestine /  |c Zeev Weiss. 
250 |a 39 halftones, 15 line illustrations, 1 map 
264 1 |a Cambridge, MA :   |b Harvard University Press,   |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (377 p.) :  |b 39 halftones, 15 line illustrations, 1 map 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Introduction --   |t 1 The Beginning: The Introduction of Public Spectacles and Competitions into Ancient Palestine --   |t 2 Shaping the City’s Landscape: Buildings for Mass Entertainment in Their Urban Context --   |t 3 Entertaining the Crowds: Performances, Competitions, and Shows --   |t 4 Financing, Organization, and Operation --   |t 5 Adopting a Novelty: Jewish Attitudes toward Roman Spectacles and Competitions --   |t 6 Public Spectacles and Sociocultural Behavior in Late Antique Palestine --   |t Epilogue --   |t Abbreviations --   |t Notes --   |t Source Index 
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520 |a Public Spectacles in Roman and Late Antique Palestine introduces readers to the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a trove of original archaeological and textual evidence, Zeev Weiss reconstructs an ancient world where Romans, Jews, and Christians intermixed amid a heady brew of shouts, roars, and applause to watch a variety of typically pagan spectacles. Ancient Roman society reveled in many such spectacles--dramatic performances, chariot races, athletic competitions, and gladiatorial combats--that required elaborate public venues, often maintained at great expense. Wishing to ingratiate himself with Rome, Herod the Great built theaters, amphitheaters, and hippodromes to bring these forms of entertainment to Palestine. Weiss explores how the indigenous Jewish and Christian populations responded, as both spectators and performers, to these cultural imports. Perhaps predictably, the reactions of rabbinic and clerical elites did not differ greatly. But their dire warnings to shun pagan entertainment did little to dampen the popularity of these events. Herod's ambitious building projects left a lasting imprint on the region. His dream of transforming Palestine into a Roman enclave succeeded far beyond his rule, with games and spectacles continuing into the fifth century CE. By then, however, public entertainment in Palestine had become a cultural institution in decline, ultimately disappearing during Justinian's reign in the sixth century. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) 
650 0 |a Entertainment events  |x History  |x Palestine. 
650 0 |a Entertainment events  |z Palestine  |x History. 
650 0 |a Popular culture  |x History  |x Palestine. 
650 0 |a Popular culture  |z Palestine  |x History. 
650 0 |a Romans  |x Palestine. 
650 0 |a Romans  |z Palestine. 
650 7 |a HISTORY / Ancient / General.  |2 bisacsh 
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