Disaster Drawn : : Visual Witness, Comics, and Documentary Form / / Hillary L. Chute.
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and...
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| Superior document: | Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2016 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (336 p.) :; 35 color illustrations, 31 halftones |
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| 100 | 1 | |a Chute, Hillary L., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Disaster Drawn : |b Visual Witness, Comics, and Documentary Form / |c Hillary L. Chute. |
| 264 | 1 | |a Cambridge, MA : |b Harvard University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (336 p.) : |b 35 color illustrations, 31 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t A Note on the Figures -- |t Introduction. Seeing New -- |t 1. Histories of Visual Witness -- |t 2. Time, Space, and Picture Writing in Modern Comics -- |t 3. I Saw It and the Work of Atomic Bomb Manga -- |t 4. Maus’s Archival Images and the Postwar Comics Field -- |t 5. History and the Visible in Joe Sacco -- |t Coda. New Locations, New Forms -- |t Notes -- |t Acknowledgments -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Comic books, strips, etc |x History and criticism. | |
| 650 | 0 | |a Graphic novels |x History and criticism. | |
| 650 | 0 | |a Narration (Rhetoric). | |
| 650 | 0 | |a Nonfiction comics |x History and criticism. | |
| 650 | 0 | |a Psychic trauma in literature. | |
| 650 | 0 | |a Storytelling in literature. | |
| 650 | 7 | |a LITERARY CRITICISM / Comics & Graphic Novels. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Harvard University Press Complete eBook-Package 2016 |z 9783110638585 |
| 856 | 4 | 0 | |u https://doi.org/10.4159/9780674495647?locatt=mode:legacy |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780674495647 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780674495647/original |
| 912 | |a 978-3-11-063858-5 Harvard University Press Complete eBook-Package 2016 |b 2016 | ||
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