Photography and the Art of Chance / / Robin Kelsey.
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a m...
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| Superior document: | Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2014-2015 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (380 p.) :; 9 color illustrations, 57 halftones |
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| 100 | 1 | |a Kelsey, Robin, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Photography and the Art of Chance / |c Robin Kelsey. |
| 264 | 1 | |a Cambridge, MA : |b Harvard University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (380 p.) : |b 9 color illustrations, 57 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t 1. William Henry Fox Talbot and His Picture Machine -- |t 2. Defining Art against the Mechanical, c. 1860 -- |t 3. Julia Margaret Cameron Transfigures the Glitch -- |t 4. The Fog of Beauty, c. 1890 -- |t 5. Alfred Stieglitz Moves with the City -- |t 6. Stalking Chance and Making News, c. 1930 -- |t 7. Frederick Sommer Decomposes Our Nature -- |t 8. Pressing Photography into a Modernist Mold, c. 1970 -- |t 9. John Baldessari Plays the Fool -- |t Conclusion -- |t Notes -- |t Acknowledgments -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Chance in art. | |
| 650 | 0 | |a Photography, Artistic |x Philosophy. | |
| 650 | 7 | |a Photography / History. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Harvard University Press Complete eBook-Package 2014-2015 |z 9783110665901 |
| 856 | 4 | 0 | |u https://doi.org/10.4159/9780674426177?locatt=mode:legacy |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780674426177 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780674426177/original |
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