Actors in the Audience : : Theatricality and Doublespeak from Nero to Hadrian / / Shadi Bartsch.
When Nero took the stage, the audience played along--or else. The drama thus enacted, whether in the theater proper or in the political arena, unfolds in all its rich complexity in Actors in the Audience. This is a book about language, theatricality, and empire--about how the Roman emperor dramatize...
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Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package |
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1994 |
Year of Publication: | 2013 |
Edition: | Reprint 2013 |
Language: | English |
Series: | Revealing Antiquity ,
6 |
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Physical Description: | 1 online resource (309 p.) |
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Bartsch, Shadi, author. aut http://id.loc.gov/vocabulary/relators/aut Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / Shadi Bartsch. Reprint 2013 Cambridge, MA : Harvard University Press, [2013] ©1994 1 online resource (309 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Revealing Antiquity , 1052-0422 ; 6 Frontmatter -- PREFACE -- CONTENTS -- I. THE EMPEROR‘S AUDIENCE: NERO AND THE THEATRICAL PARADIGM -- 2. THE INVASION OF THE STAGE: NERO TRAGOEDUS -- 3. OPPOSITIONAL INNUENDO: PERFORMANCE, ALLUSION, AND THE AUDIENCE -- 4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE -- 5. THE ART OF SINCERITY: PLINY‘S PANEGYRICUS -- EPILOGUE -- APPENDIX 1. THE “CENA TRIMALCHIONIS” AS THEATER -- APPENDIX 2. DID MATERNUS DESTROY VATINIUS THROUGH HIS PLAY? -- APPENDIX 3. [LONGINUS‘] ON THE SUBLIME §44 AND MATERNUS‘ EULOGY -- NOTES -- BIBLIOGRAPHY -- INDEX -- REVEALING ANTIQUITY restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star When Nero took the stage, the audience played along--or else. The drama thus enacted, whether in the theater proper or in the political arena, unfolds in all its rich complexity in Actors in the Audience. This is a book about language, theatricality, and empire--about how the Roman emperor dramatized his rule and how his subordinates in turn staged their response. The focus is on Nero: his performances onstage spurred his contemporaries to reflect on the nature of power and representation, and to make the stage a paradigm for larger questions about the theatricality of power. Through these portrayals by ancient writers, Shadi Bartsch explores what happens to language and representation when all discourse is distorted by the pull of an autocratic authority. Some Roman senators, forced to become actors and dissimulators under the scrutinizing eye of the ruler, portrayed themselves and their class as the victims of regimes that are, for us, redolent of Stalinism. Other writers claimed that doublespeak--saying one thing and meaning two--was the way one could, and did, undo the constraining effects of imperial oppression. Tacitus, Suetonius, and Juvenal all figure in Bartsch's shrewd analysis of historical and literary responses to the brute facts of empire; even the Panegyricus of Pliny the Younger now appears as a reaction against the widespread awareness of dissimulation. Informed by theories of dramaturgy, sociology, new historicism, and cultural criticism, this close reading of literary and historical texts gives us a new perspective on the politics of the Roman empire--and on the languages and representation of power. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Communication. Dictateurs dans la littérature. Dictators in literature. Dramaturgie. Empereurs dans la littérature. Emperors in literature. Historiography. Jeu de rôle dans la littérature. Lateinische Literatur. Latin literature. Literature and history. Misleiding. Politieke macht. Rhetoric, Ancient. Rhétorique ancienne. Role playing in literature. Theater audiences. Theater. HISTORY / General. LITERARY CRITICISM / Ancient & Classical. PERFORMING ARTS / Theater / History & Criticism. HISTORY / Ancient / Rome. bisacsh Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package 9783110353488 ZDB-23-HCO Title is part of eBook package: De Gruyter HUP e-dition: World History eBook Package 9783110353563 ZDB-23-HWH Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 9783110442212 print 9780674280984 https://doi.org/10.4159/harvard.9780674280991 https://www.degruyter.com/isbn/9780674280991 Cover https://www.degruyter.com/document/cover/isbn/9780674280991/original |
language |
English |
format |
eBook |
author |
Bartsch, Shadi, Bartsch, Shadi, |
spellingShingle |
Bartsch, Shadi, Bartsch, Shadi, Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / Revealing Antiquity , Frontmatter -- PREFACE -- CONTENTS -- I. THE EMPEROR‘S AUDIENCE: NERO AND THE THEATRICAL PARADIGM -- 2. THE INVASION OF THE STAGE: NERO TRAGOEDUS -- 3. OPPOSITIONAL INNUENDO: PERFORMANCE, ALLUSION, AND THE AUDIENCE -- 4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE -- 5. THE ART OF SINCERITY: PLINY‘S PANEGYRICUS -- EPILOGUE -- APPENDIX 1. THE “CENA TRIMALCHIONIS” AS THEATER -- APPENDIX 2. DID MATERNUS DESTROY VATINIUS THROUGH HIS PLAY? -- APPENDIX 3. [LONGINUS‘] ON THE SUBLIME §44 AND MATERNUS‘ EULOGY -- NOTES -- BIBLIOGRAPHY -- INDEX -- REVEALING ANTIQUITY |
author_facet |
Bartsch, Shadi, Bartsch, Shadi, |
author_variant |
s b sb s b sb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Bartsch, Shadi, |
title |
Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / |
title_sub |
Theatricality and Doublespeak from Nero to Hadrian / |
title_full |
Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / Shadi Bartsch. |
title_fullStr |
Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / Shadi Bartsch. |
title_full_unstemmed |
Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / Shadi Bartsch. |
title_auth |
Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / |
title_alt |
Frontmatter -- PREFACE -- CONTENTS -- I. THE EMPEROR‘S AUDIENCE: NERO AND THE THEATRICAL PARADIGM -- 2. THE INVASION OF THE STAGE: NERO TRAGOEDUS -- 3. OPPOSITIONAL INNUENDO: PERFORMANCE, ALLUSION, AND THE AUDIENCE -- 4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE -- 5. THE ART OF SINCERITY: PLINY‘S PANEGYRICUS -- EPILOGUE -- APPENDIX 1. THE “CENA TRIMALCHIONIS” AS THEATER -- APPENDIX 2. DID MATERNUS DESTROY VATINIUS THROUGH HIS PLAY? -- APPENDIX 3. [LONGINUS‘] ON THE SUBLIME §44 AND MATERNUS‘ EULOGY -- NOTES -- BIBLIOGRAPHY -- INDEX -- REVEALING ANTIQUITY |
title_new |
Actors in the Audience : |
title_sort |
actors in the audience : theatricality and doublespeak from nero to hadrian / |
series |
Revealing Antiquity , |
series2 |
Revealing Antiquity , |
publisher |
Harvard University Press, |
publishDate |
2013 |
physical |
1 online resource (309 p.) Issued also in print. |
edition |
Reprint 2013 |
contents |
Frontmatter -- PREFACE -- CONTENTS -- I. THE EMPEROR‘S AUDIENCE: NERO AND THE THEATRICAL PARADIGM -- 2. THE INVASION OF THE STAGE: NERO TRAGOEDUS -- 3. OPPOSITIONAL INNUENDO: PERFORMANCE, ALLUSION, AND THE AUDIENCE -- 4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE -- 5. THE ART OF SINCERITY: PLINY‘S PANEGYRICUS -- EPILOGUE -- APPENDIX 1. THE “CENA TRIMALCHIONIS” AS THEATER -- APPENDIX 2. DID MATERNUS DESTROY VATINIUS THROUGH HIS PLAY? -- APPENDIX 3. [LONGINUS‘] ON THE SUBLIME §44 AND MATERNUS‘ EULOGY -- NOTES -- BIBLIOGRAPHY -- INDEX -- REVEALING ANTIQUITY |
isbn |
9780674280991 9783110353488 9783110353563 9783110442212 9780674280984 |
issn |
1052-0422 ; |
url |
https://doi.org/10.4159/harvard.9780674280991 https://www.degruyter.com/isbn/9780674280991 https://www.degruyter.com/document/cover/isbn/9780674280991/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
870 - Latin & Italic literatures |
dewey-ones |
875 - Latin speeches |
dewey-full |
875/.0109 |
dewey-sort |
3875 3109 |
dewey-raw |
875/.0109 |
dewey-search |
875/.0109 |
doi_str_mv |
10.4159/harvard.9780674280991 |
oclc_num |
900812255 |
work_keys_str_mv |
AT bartschshadi actorsintheaudiencetheatricalityanddoublespeakfromnerotohadrian |
status_str |
n |
ids_txt_mv |
(DE-B1597)247090 (OCoLC)900812255 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package Title is part of eBook package: De Gruyter HUP e-dition: World History eBook Package Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 |
is_hierarchy_title |
Actors in the Audience : Theatricality and Doublespeak from Nero to Hadrian / |
container_title |
Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package |
_version_ |
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fullrecord |
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