The Sound of Modern Polish Poetry : : Performance and Recording after World War II / / Aleksandra Kremer.
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these...
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Kremer, Aleksandra, author. aut http://id.loc.gov/vocabulary/relators/aut The Sound of Modern Polish Poetry : Performance and Recording after World War II / Aleksandra Kremer. Cambridge, MA : Harvard University Press, [2021] ©2021 1 online resource (352 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction -- 1. Postwar Currents: Julian Tuwim and the Evolution of Polish Poetic Culture -- 2. Intonation in Exile: Czesław Miłosz’s English Translations -- 3. Home Literary Salons: Visiting Miron Białoszewski and Wisława Szymborska -- 4. Taped Farewells: Elegiac Recordings by Aleksander Wat, Zbigniew Herbert, Anna Kamieńska, and Anna Swir -- 5. Unbeautiful Readings: Tadeusz Różewicz against Julian Przyboś -- Epilogue -- Notes -- Acknowledgments -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czesław Miłosz, Wisława Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Białoszewski, Anna Swir, and Tadeusz Różewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. Kremer’s is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experiments—from poetic “sound postcards,” to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Knowledge, Theory of. Nature and nurture. Social values. Values. LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union). bisacsh Anna Kamieńska. Anna Świrszczyńska. Halina Poświatowska. Julia Hartwig. Julian Tuwim. Krystyna Miłobędzka. Poland. Praat. audio archive. free verse. intonation. poetry reading. recitation. recorded poetry. sound studies. sung poetry. tape recorder. Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2021 9783110739114 print 9780674261112 https://doi.org/10.4159/9780674270183?locatt=mode:legacy https://www.degruyter.com/isbn/9780674270183 Cover https://www.degruyter.com/document/cover/isbn/9780674270183/original |
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Kremer, Aleksandra, Kremer, Aleksandra, |
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Kremer, Aleksandra, Kremer, Aleksandra, The Sound of Modern Polish Poetry : Performance and Recording after World War II / Frontmatter -- Contents -- Introduction -- 1. Postwar Currents: Julian Tuwim and the Evolution of Polish Poetic Culture -- 2. Intonation in Exile: Czesław Miłosz’s English Translations -- 3. Home Literary Salons: Visiting Miron Białoszewski and Wisława Szymborska -- 4. Taped Farewells: Elegiac Recordings by Aleksander Wat, Zbigniew Herbert, Anna Kamieńska, and Anna Swir -- 5. Unbeautiful Readings: Tadeusz Różewicz against Julian Przyboś -- Epilogue -- Notes -- Acknowledgments -- Index |
author_facet |
Kremer, Aleksandra, Kremer, Aleksandra, |
author_variant |
a k ak a k ak |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Kremer, Aleksandra, |
title |
The Sound of Modern Polish Poetry : Performance and Recording after World War II / |
title_sub |
Performance and Recording after World War II / |
title_full |
The Sound of Modern Polish Poetry : Performance and Recording after World War II / Aleksandra Kremer. |
title_fullStr |
The Sound of Modern Polish Poetry : Performance and Recording after World War II / Aleksandra Kremer. |
title_full_unstemmed |
The Sound of Modern Polish Poetry : Performance and Recording after World War II / Aleksandra Kremer. |
title_auth |
The Sound of Modern Polish Poetry : Performance and Recording after World War II / |
title_alt |
Frontmatter -- Contents -- Introduction -- 1. Postwar Currents: Julian Tuwim and the Evolution of Polish Poetic Culture -- 2. Intonation in Exile: Czesław Miłosz’s English Translations -- 3. Home Literary Salons: Visiting Miron Białoszewski and Wisława Szymborska -- 4. Taped Farewells: Elegiac Recordings by Aleksander Wat, Zbigniew Herbert, Anna Kamieńska, and Anna Swir -- 5. Unbeautiful Readings: Tadeusz Różewicz against Julian Przyboś -- Epilogue -- Notes -- Acknowledgments -- Index |
title_new |
The Sound of Modern Polish Poetry : |
title_sort |
the sound of modern polish poetry : performance and recording after world war ii / |
publisher |
Harvard University Press, |
publishDate |
2021 |
physical |
1 online resource (352 p.) |
contents |
Frontmatter -- Contents -- Introduction -- 1. Postwar Currents: Julian Tuwim and the Evolution of Polish Poetic Culture -- 2. Intonation in Exile: Czesław Miłosz’s English Translations -- 3. Home Literary Salons: Visiting Miron Białoszewski and Wisława Szymborska -- 4. Taped Farewells: Elegiac Recordings by Aleksander Wat, Zbigniew Herbert, Anna Kamieńska, and Anna Swir -- 5. Unbeautiful Readings: Tadeusz Różewicz against Julian Przyboś -- Epilogue -- Notes -- Acknowledgments -- Index |
isbn |
9780674270183 9783110739114 9780674261112 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BD - Speculative Philosophy |
callnumber-label |
BD161 |
callnumber-sort |
BD 3161 H86 41995 |
url |
https://doi.org/10.4159/9780674270183?locatt=mode:legacy https://www.degruyter.com/isbn/9780674270183 https://www.degruyter.com/document/cover/isbn/9780674270183/original |
illustrated |
Not Illustrated |
dewey-hundreds |
100 - Philosophy & psychology |
dewey-tens |
150 - Psychology |
dewey-ones |
155 - Differential & developmental psychology |
dewey-full |
155.2/34/01 |
dewey-sort |
3155.2 234 11 |
dewey-raw |
155.2/34/01 |
dewey-search |
155.2/34/01 |
doi_str_mv |
10.4159/9780674270183?locatt=mode:legacy |
oclc_num |
1302162209 |
work_keys_str_mv |
AT kremeraleksandra thesoundofmodernpolishpoetryperformanceandrecordingafterworldwarii AT kremeraleksandra soundofmodernpolishpoetryperformanceandrecordingafterworldwarii |
status_str |
n |
ids_txt_mv |
(DE-B1597)590537 (OCoLC)1302162209 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2021 |
is_hierarchy_title |
The Sound of Modern Polish Poetry : Performance and Recording after World War II / |
container_title |
Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2021 |
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