Love’s Shadow / / Paul A. Bové.

• Superior document: Title is part of eBook package: De Gruyter Harvard University Press Complete eBook-Package 2020
• VerfasserIn: Bové, Paul A.,
• Place / Publishing House: Cambridge, MA : : Harvard University Press, , [2021]; ©2020
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (448 p.)
• Other title: Frontmatter --; Contents --; Preface --; Chapter one. The Path of Sorrows --; Chapter two. The Will to Destruction as the Basis of Allegory --; Chapter three. A Socratic Interlude --; Chapter four. Wallace Stevens and the Confidence of Imagination --; Chapter five. Adorno --; Chapter six. An Interchapter --; Chapter seven. “The Auroras of Autumn” --; Chapter eight. Rembrandt, Bathsheba, and the Textures of Art --; Chapter nine. “What Think You of Falling in Love?” --; Notes --; Acknowledgments --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780674247635; 9783110690057
• DOI: 10.4159/9780674247635?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Paul A. Bové.

A case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love.Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if instead we dared to love poetry? To choose comedy over Hamlet’s tragedy, romance over Benjamin’s suicide on the edge of France, of Europe, of civilization?Paul Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschews self-consciousness. The first step is to choose poetry. There has been since the time of Plato a battle between philosophy and poetry. Philosophy has championed misogyny, while poetry has championed women, like Shakespeare’s Rosalind. Philosophy is ever so stringent; try instead the sober cheerfulness of Wallace Stevens. Bové’s second step is to choose the essay. He praises Benjamin’s great friend and sometime antagonist Theodor Adorno, who gloried in the writing of essays, not dissertations and treatises. The third step is to choose love. If you want a Baroque hero, make it Rembrandt, who brought lovers to life in his paintings.Putting aside passivity and cynicism would amount to a revolution in literary studies. Bové seeks nothing less, and he has a program for achieving it.