Moscow, the Fourth Rome : : Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941 / / Katerina Clark.
In the early sixteenth century, the monk Filofei proclaimed Moscow the “Third Rome.” By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking t...
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Superior document: | Title is part of eBook package: De Gruyter E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2011 |
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2011] ©2011 |
Year of Publication: | 2011 |
Language: | English |
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Physical Description: | 1 online resource (432 p.) :; 4 halftones |
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Table of Contents:
- Frontmatter
- Contents
- Introduction: The Cultural Turn
- Chapter 1. The Author as Producer: Cultural Revolution in Berlin and Moscow (1930–1931)
- Chapter 2. Moscow, the Lettered City
- Chapter 3. The Return of the Aesthetic
- Chapter 4. The Traveling Mode and the Horizon of Identity
- Chapter 5. “World Literature”/ “World Culture” and the Era of the Popular Front (c. 1935–1936)
- Chapter 6. Face and Mask: Theatricality and Identity in the Era of the Show Trials (1936–1938)
- Chapter 7. Love and Death in the Time of the Spanish Civil War (1936–1939)
- Chapter 8. The Imperial Sublime
- Chapter 9. The Battle over the Genres (1937–1941)
- Epilogue
- Notes
- Acknowledgments
- Index