Persons and Things / / Barbara E. Johnson.

Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with w...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2010]
©2010
Year of Publication:2010
Language:English
Online Access:
Physical Description:1 online resource (272 p.)
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Description
Other title:Frontmatter --
Contents --
Prologue --
1 Toys R Us: Legal Persons, Personal Pronouns, Definitions --
Things --
2 The Poetics of Things: Marianne Moore and Francis Ponge --
3 Monuments --
The Thingliness of Persons --
4 Ego Sum Game --
5 They Urn It --
6 Puppets and Prostheses --
7 Using People: Kant with Winnicott --
The Personhood of Things --
8 Romancing the Stone --
9 Surmounted Beliefs --
10 Artificial Life --
11 Real Dolls --
12 Animation --
Persons --
13 Face Value --
14 Anthropomorphism in Lyric and Law --
15 Lost Cause --
Epilogue --
Notes --
Acknowledgments --
Index
Summary:Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In Persons and Things, Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780674056534
9783110442212
DOI:10.4159/9780674056534?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Barbara E. Johnson.