Disturbing the Peace : : Black Culture and the Police Power after Slavery / / Bryan Wagner.

W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary - in Disturbing the Peace, Bryan Wagner revises the history of the black vernacular tradition and gives a new accoun...

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Superior document:Title is part of eBook package: De Gruyter HUP eBook-Package Backlist 2000-2013 (Canada)
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2010]
©2009
Year of Publication:2010
Language:English
Online Access:
Physical Description:1 online resource (320 p.)
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t ILLUSTRATIONS --   |t INTRODUCTION --   |t 1. THE BLACK TRADITION FROM IDA B. WELLS TO ROBERT CHARLES --   |t 2. THE STRANGE CAREER OF BRAS- COUPÉ --   |t 3. UNCLE REMUS AND THE ATLANTA POLICE DEPARTMENT --   |t 4. THE BLACK TRADITION FROM GEORGE W. JOHNSON TO OZELLA JONES --   |t NOTES --   |t ACKNOWLEDGMENTS --   |t INDEX 
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520 |a W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary - in Disturbing the Peace, Bryan Wagner revises the history of the black vernacular tradition and gives a new account of black culture by reading these myths in the context of the tradition's ongoing engagement with the law. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
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