The Virtual Life of Film / / D. N. Rodowick.

As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and...

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Superior document:Title is part of eBook package: De Gruyter HUP eBook-Package Backlist 2000-2013 (Canada)
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2009]
©2007
Year of Publication:2009
Language:English
Online Access:
Physical Description:1 online resource (216 p.)
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505 0 0 |t Frontmatter --   |t Preface --   |t Contents --   |t Illustrations --   |t I. The virtual life of film --   |t II. What was cinema? --   |t III. A new landscape (without image) --   |t Acknowledgments 
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520 |a As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Digital cinematography. 
650 0 |a Photography  |x Digital techniques. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
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