Berlin Cabaret / / Peter Jelavich.
Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadai...
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Superior document: | Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 |
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VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2021] ©1996 |
Year of Publication: | 2021 |
Language: | English |
Series: | Studies in Cultural History
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Online Access: | |
Physical Description: | 1 online resource (336 p.) |
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Table of Contents:
- Frontmatter
- Preface
- Contents
- Illustrations
- Introduction
- 1 Cabaret as Metropolitan Montage
- 2 Between Elitism and Entertainment: Wolzogen's Motley Theater
- 3 From Artistic Parody to Theatrical Renewal: Reinhardt's Sound and Smoke
- 4 Cosmopolitan Diversions, Metropolitan Identities
- 5 Political Satire in the Early Weimar Republic
- 6 The Weimar Revue
- 7 Political Cabaret at the End of the Republic
- 8 Cabaret under National Socialism
- Epilogue: Cabaret in Concentration Camps
- Notes
- Index