Deconstructing the American Mosque : : Space, Gender, and Aesthetics / / Akel Ismail Kahera.

From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuanc...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013
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Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2002
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (208 p.)
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245 1 0 |a Deconstructing the American Mosque :  |b Space, Gender, and Aesthetics /  |c Akel Ismail Kahera. 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t LIST OF ILLUSTRATIONS --   |t ACKNOWLEDGMENTS --   |t INTRODUCTION. The Polemics of Deconstruction --   |t CHAPTER ONE. Aesthetic Origins and End Conditions --   |t CHAPTER TWO. Interpretations of Image, Text, and Form --   |t CHAPTER THREE. Space, Place, and Public Gathering --   |t CONCLUSION. Reversible Space and Linear Time --   |t NOTES --   |t GLOSSARY --   |t BIBLIOGRAPHY --   |t INDEX 
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520 |a From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices. In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America—first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) 
650 0 |a Architecture  |z United States  |x History  |y 20th century. 
650 0 |a Mosques  |z United States. 
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