Popular Cinema of the Third Reich / / Sabine Hake.
Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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| VerfasserIn: | |
| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2002 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (288 p.) |
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Table of Contents:
- Frontmatter
- CONTENTS
- Preface
- 1. Popular Cinema, National Cinema, Nazi Cinema
- 2. Made in 1933
- 3. Cinema, Set Design, and the Domestication of Modernism
- 4. At the Movies
- 5. Stars
- 6. Detlef Sierck and Schlußakkord (Final Chord, 1936)
- 7. The Foreign and the Familiar
- 8. The Annexation of an Imaginary City
- 9. The Power of Thought
- 10. A Question of Representation
- 11. The Legacies of the Past in the Cinema of Postwar Reconstruction
- Notes
- Select Bibliography
- Index of German Titles and Names