Screening the Gothic / / Lisa Hopkins.
Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola'...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2005 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (188 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction. The gothic Towards a Definition
- Chapter One. Gothic revenants: A Tale of Three Hamlets
- Chapter Two. Putting the gothic in: Clarissa, Sense and Sensibility, Mansfield Park, and TheTime Machine
- Chapter Three. Taking the gothic out: ’Tis Pity She’s a Whore, Mary Shelley’s Frankenstein, TheWoman in White, and Lady Audley’s Secret
- Chapter Four. Fragmenting the gothic: Jane Eyre and Dracula
- Chapter Five. Gothic and the family: The Mummy Returns, Harry Potter and the Philosopher’s Stone, andThe Lord of the Rings: The Fellowship of the Ring
- Conclusion
- Notes
- Works cited
- Index