The Solaris Effect : : Art and Artifice in Contemporary American Film / / Steven Dillon.
What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon'...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2006 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (280 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- Acknowledgments
- 1 Tarkovsky’s Solaris and the Cinematic Abyss
- 2 Steven Soderbergh’s TintedWorld
- 3 Aronofsky, Sundance, and the Return to Nature
- 4 Mulholland Drive, Cahiers du cinéma, and the Horror of Cinephilia
- 5 Spielberg’s A.I.: Animation, Time, and Digital Culture
- 6 Cinema against Art: Artists and Paintings in Contemporary American Film
- 7 A Plague of Frogs: Expressionism and Naturalism in 1990s American Film
- 8 Situating American Film in Godard, Jarmusch, and Scorsese
- Notes
- Bibliography
- Index