Border Bandits : : Hollywood on the Southern Frontier / / Camilla Fojas.
The southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda....
Saved in:
Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2008 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (249 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780292794085 |
---|---|
ctrlnum |
(DE-B1597)587036 (OCoLC)1280944634 |
collection |
bib_alma |
record_format |
marc |
spelling |
Fojas, Camilla, author. aut http://id.loc.gov/vocabulary/relators/aut Border Bandits : Hollywood on the Southern Frontier / Camilla Fojas. Austin : University of Texas Press, [2021] ©2008 1 online resource (249 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: welcome to the Alamo Hollywood on the border -- Chapter one: How the Southwest Was Won; Border Westerns and the Southern Frontier -- Chapter two: “The Imaginary Illegal Alien”; Hollywood Border Crossers and Buddy Cops in the 1980s -- Chapter three: The “Narc” in All of Us; Border Media and the War on Drugs -- Chapter four: Urban Frontiers; Border Cinema and the Global City -- Conclusion: Frontier Myths on the Line; Border Cinema Redux -- Notes -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda. In this examination, Camilla Fojas studies how major Hollywood films exploit the border between Mexico and the United States to tell a story about U.S. dominance in the American hemisphere. She charts the shift from the mythos of the open western frontier to that of the embattled southern frontier by offering in-depth analyses of particular border films, from post-World War II Westerns to drug-trafficking films to contemporary Latino/a cinema, within their historical and political contexts. Fojas argues that Hollywood border films do important social work by offering a cinematic space through which viewers can manage traumatic and undesirable histories and ultimately reaffirm core "American" values. At the same time, these border narratives delineate opposing values and ideas. Latino border films offer a critical vantage onto these topics; they challenge the presumptions of U.S. nationalism and subsequent cultural attitudes about immigrants and immigration, and often critically reconstruct their Hollywood kin. By analyzing films such as Duel in the Sun, The Wild Bunch, El Norte, The Border, Traffic, and Brokeback Mountain, Fojas demands that we reexamine the powerful mythology of the Hollywood borderlands. This detailed scrutiny recognizes that these films are part of a national narrative comprised of many texts and symbols that create the myth of the United States as capital of the Americas. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Motion pictures United States. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344 https://doi.org/10.7560/718623 https://www.degruyter.com/isbn/9780292794085 Cover https://www.degruyter.com/document/cover/isbn/9780292794085/original |
language |
English |
format |
eBook |
author |
Fojas, Camilla, Fojas, Camilla, |
spellingShingle |
Fojas, Camilla, Fojas, Camilla, Border Bandits : Hollywood on the Southern Frontier / Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: welcome to the Alamo Hollywood on the border -- Chapter one: How the Southwest Was Won; Border Westerns and the Southern Frontier -- Chapter two: “The Imaginary Illegal Alien”; Hollywood Border Crossers and Buddy Cops in the 1980s -- Chapter three: The “Narc” in All of Us; Border Media and the War on Drugs -- Chapter four: Urban Frontiers; Border Cinema and the Global City -- Conclusion: Frontier Myths on the Line; Border Cinema Redux -- Notes -- Filmography -- Bibliography -- Index |
author_facet |
Fojas, Camilla, Fojas, Camilla, |
author_variant |
c f cf c f cf |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Fojas, Camilla, |
title |
Border Bandits : Hollywood on the Southern Frontier / |
title_sub |
Hollywood on the Southern Frontier / |
title_full |
Border Bandits : Hollywood on the Southern Frontier / Camilla Fojas. |
title_fullStr |
Border Bandits : Hollywood on the Southern Frontier / Camilla Fojas. |
title_full_unstemmed |
Border Bandits : Hollywood on the Southern Frontier / Camilla Fojas. |
title_auth |
Border Bandits : Hollywood on the Southern Frontier / |
title_alt |
Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: welcome to the Alamo Hollywood on the border -- Chapter one: How the Southwest Was Won; Border Westerns and the Southern Frontier -- Chapter two: “The Imaginary Illegal Alien”; Hollywood Border Crossers and Buddy Cops in the 1980s -- Chapter three: The “Narc” in All of Us; Border Media and the War on Drugs -- Chapter four: Urban Frontiers; Border Cinema and the Global City -- Conclusion: Frontier Myths on the Line; Border Cinema Redux -- Notes -- Filmography -- Bibliography -- Index |
title_new |
Border Bandits : |
title_sort |
border bandits : hollywood on the southern frontier / |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (249 p.) |
contents |
Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: welcome to the Alamo Hollywood on the border -- Chapter one: How the Southwest Was Won; Border Westerns and the Southern Frontier -- Chapter two: “The Imaginary Illegal Alien”; Hollywood Border Crossers and Buddy Cops in the 1980s -- Chapter three: The “Narc” in All of Us; Border Media and the War on Drugs -- Chapter four: Urban Frontiers; Border Cinema and the Global City -- Conclusion: Frontier Myths on the Line; Border Cinema Redux -- Notes -- Filmography -- Bibliography -- Index |
isbn |
9780292794085 9783110745344 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 M48 F65 42008EB |
geographic_facet |
United States. |
url |
https://doi.org/10.7560/718623 https://www.degruyter.com/isbn/9780292794085 https://www.degruyter.com/document/cover/isbn/9780292794085/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/658721 |
dewey-sort |
3791.43 6658721 |
dewey-raw |
791.43/658721 |
dewey-search |
791.43/658721 |
doi_str_mv |
10.7560/718623 |
oclc_num |
1280944634 |
work_keys_str_mv |
AT fojascamilla borderbanditshollywoodonthesouthernfrontier |
status_str |
n |
ids_txt_mv |
(DE-B1597)587036 (OCoLC)1280944634 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Border Bandits : Hollywood on the Southern Frontier / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
_version_ |
1806143155913883648 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04615nam a22006495i 4500</leader><controlfield tag="001">9780292794085</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220426115627.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220426t20212008txu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292794085</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/718623</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)587036</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1280944634</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.M48</subfield><subfield code="b">F65 2008eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/658721</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fojas, Camilla, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Border Bandits :</subfield><subfield code="b">Hollywood on the Southern Frontier /</subfield><subfield code="c">Camilla Fojas.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (249 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction: welcome to the Alamo Hollywood on the border -- </subfield><subfield code="t">Chapter one: How the Southwest Was Won; Border Westerns and the Southern Frontier -- </subfield><subfield code="t">Chapter two: “The Imaginary Illegal Alien”; Hollywood Border Crossers and Buddy Cops in the 1980s -- </subfield><subfield code="t">Chapter three: The “Narc” in All of Us; Border Media and the War on Drugs -- </subfield><subfield code="t">Chapter four: Urban Frontiers; Border Cinema and the Global City -- </subfield><subfield code="t">Conclusion: Frontier Myths on the Line; Border Cinema Redux -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda. In this examination, Camilla Fojas studies how major Hollywood films exploit the border between Mexico and the United States to tell a story about U.S. dominance in the American hemisphere. She charts the shift from the mythos of the open western frontier to that of the embattled southern frontier by offering in-depth analyses of particular border films, from post-World War II Westerns to drug-trafficking films to contemporary Latino/a cinema, within their historical and political contexts. Fojas argues that Hollywood border films do important social work by offering a cinematic space through which viewers can manage traumatic and undesirable histories and ultimately reaffirm core "American" values. At the same time, these border narratives delineate opposing values and ideas. Latino border films offer a critical vantage onto these topics; they challenge the presumptions of U.S. nationalism and subsequent cultural attitudes about immigrants and immigration, and often critically reconstruct their Hollywood kin. By analyzing films such as Duel in the Sun, The Wild Bunch, El Norte, The Border, Traffic, and Brokeback Mountain, Fojas demands that we reexamine the powerful mythology of the Hollywood borderlands. This detailed scrutiny recognizes that these films are part of a national narrative comprised of many texts and symbols that create the myth of the United States as capital of the Americas.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Texas Press eBook-Package Backlist 2000-2013</subfield><subfield code="z">9783110745344</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/718623</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780292794085</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780292794085/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074534-4 University of Texas Press eBook-Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |