Blood Lines : : Myth, Indigenism, and Chicana/o Literature / / Sheila Marie Contreras.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013
• VerfasserIn: Contreras, Sheila Marie,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©2008
• Year of Publication: 2021
• Language: English
• Series: Chicana Matters
• Physical Description: 1 online resource (232 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Prelude --; Introduction Myths, Indigenisms, and Conquests --; Chapter 1 Mexican Myth and Modern Primitivism: D. H. Lawrence’s The Plumed Serpent --; Chapter 2 The Mesoamerican in the Mexican-American Imagination: Chicano Movement Indigenism --; Chapter 3 From La Malinche to Coatlicue: Chicana Indigenist Feminism and Mythic Native Women --; Chapter 4 The Contra-mythic in Chicana Literature: Refashioning Indigeneity in Acosta, Cervantes, Gaspar de Alba, and Villanueva --; Coda --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780292794054; 9783110745344
• DOI: 10.7560/717961
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Sheila Marie Contreras.

Blood Lines: Myth, Indigenism, and Chicana/o Literature examines a broad array of texts that have contributed to the formation of an indigenous strand of Chicano cultural politics. In particular, this book exposes the ethnographic and poetic discourses that shaped the aesthetics and stylistics of Chicano nationalism and Chicana feminism. Contreras offers original perspectives on writers ranging from Alurista and Gloria Anzaldúa to Lorna Dee Cervantes and Alma Luz Villanueva, effectively marking the invocation of a Chicano indigeneity whose foundations and formulations can be linked to U.S. and British modernist writing. By highlighting intertextualities such as those between Anzaldúa and D. H. Lawrence, Contreras critiques the resilience of primitivism in the Mexican borderlands. She questions established cultural perspectives on "the native," which paradoxically challenge and reaffirm racialized representations of Indians in the Americas. In doing so, Blood Lines brings a new understanding to the contradictory and richly textured literary relationship that links the projects of European modernism and Anglo-American authors, on the one hand, and the imaginary of the post-revolutionary Mexican state and Chicano/a writers, on the other hand.