Filming Difference : : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / / ed. by Daniel Bernardi.
Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creati...
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2009 |
Year of Publication: | 2021 |
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Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / ed. by Daniel Bernardi. Austin : University of Texas Press, [2021] ©2009 1 online resource (390 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Different Visions, Revolutionary Perceptions: Race, Gender, and Sexuality in the Work of Contemporary Filmmakers -- Part 1 Exposing bodies -- 1 Disability Is Us: Remembering, Recovering, and Remaking the Image of Disability -- 2 “I Saw You Naked”: “Hard” Acting in “Gay” Movies -- 3 Pain and Pleasure in the Flesh of Machiko Saito’s Experimental Movies -- Part 2 Border visions -- 4 Framing Identities / The Evolving Self: -- 5 Indigenism, (In)Visibility: Notes on Migratory Film -- 6 Traversing Cinematic Borders: An Interview with Paul Espinosa -- Part 3 Global identities -- 7 Del Otro Lado: -- 8 Faith in Sexual Difference: -- 9 Dead Conversations on Art and Politics: -- Part 4 Independent ambitions -- 10 Neither Color Blind, Nor Near-Sighted: -- 11 Performing to Perform the Other: -- 12 Cinematic Reservations: -- Part 5 True Hollywood stories -- 13 “And Maybe There Is a Way to Give Hollywood the Kick in the Ass That It Needs”: -- 14 From Selena to Walkout: An Interview with Moctesuma Esparza -- 15 Negotiating the Politics of (In)Difference in Contemporary Hollywood: -- 16 Televising Difference: -- Selected Bibliography -- Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Motion picture actors and actresses United States Interviews. Motion picture producers and directors United States Interviews. Race relations in motion pictures. Screenwriters United States Interviews. Sex role in motion pictures. Social problems in motion pictures. PERFORMING ARTS / General. bisacsh Bernardi, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bernardi, Daniel, editor. edt http://id.loc.gov/vocabulary/relators/edt Bradley, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Caldwell, John Thornton, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cornejo, Cristina Kotz, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cutrara, Daniel S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ferrari, Chiara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Galán, Kathryn F., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Greer, Aaron, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Griffith, C. A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kissel, Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Leaños, John Jota, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Makino, Yuri, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mann, Denise, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rybicky, Dan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sandler, Kevin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schiffer, Sheldon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shimizu, Celine Parreñas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344 https://doi.org/10.7560/719231 https://www.degruyter.com/isbn/9780292793552 Cover https://www.degruyter.com/document/cover/isbn/9780292793552/original |
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Bernardi, Daniel, Bernardi, Daniel, Bernardi, Daniel, Bernardi, Daniel, Bradley, Christopher, Bradley, Christopher, Caldwell, John Thornton, Caldwell, John Thornton, Cornejo, Cristina Kotz, Cornejo, Cristina Kotz, Cutrara, Daniel S., Cutrara, Daniel S., Ferrari, Chiara, Ferrari, Chiara, Galán, Kathryn F., Galán, Kathryn F., Greer, Aaron, Greer, Aaron, Griffith, C. A., Griffith, C. A., Kissel, Laura, Kissel, Laura, Leaños, John Jota, Leaños, John Jota, Makino, Yuri, Makino, Yuri, Mann, Denise, Mann, Denise, Rybicky, Dan, Rybicky, Dan, Sandler, Kevin, Sandler, Kevin, Schiffer, Sheldon, Schiffer, Sheldon, Shimizu, Celine Parreñas, Shimizu, Celine Parreñas, |
author_facet |
Bernardi, Daniel, Bernardi, Daniel, Bernardi, Daniel, Bernardi, Daniel, Bradley, Christopher, Bradley, Christopher, Caldwell, John Thornton, Caldwell, John Thornton, Cornejo, Cristina Kotz, Cornejo, Cristina Kotz, Cutrara, Daniel S., Cutrara, Daniel S., Ferrari, Chiara, Ferrari, Chiara, Galán, Kathryn F., Galán, Kathryn F., Greer, Aaron, Greer, Aaron, Griffith, C. A., Griffith, C. A., Kissel, Laura, Kissel, Laura, Leaños, John Jota, Leaños, John Jota, Makino, Yuri, Makino, Yuri, Mann, Denise, Mann, Denise, Rybicky, Dan, Rybicky, Dan, Sandler, Kevin, Sandler, Kevin, Schiffer, Sheldon, Schiffer, Sheldon, Shimizu, Celine Parreñas, Shimizu, Celine Parreñas, |
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author_sort |
Bernardi, Daniel, |
title |
Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / |
spellingShingle |
Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / Frontmatter -- Contents -- Acknowledgments -- Different Visions, Revolutionary Perceptions: Race, Gender, and Sexuality in the Work of Contemporary Filmmakers -- Part 1 Exposing bodies -- 1 Disability Is Us: Remembering, Recovering, and Remaking the Image of Disability -- 2 “I Saw You Naked”: “Hard” Acting in “Gay” Movies -- 3 Pain and Pleasure in the Flesh of Machiko Saito’s Experimental Movies -- Part 2 Border visions -- 4 Framing Identities / The Evolving Self: -- 5 Indigenism, (In)Visibility: Notes on Migratory Film -- 6 Traversing Cinematic Borders: An Interview with Paul Espinosa -- Part 3 Global identities -- 7 Del Otro Lado: -- 8 Faith in Sexual Difference: -- 9 Dead Conversations on Art and Politics: -- Part 4 Independent ambitions -- 10 Neither Color Blind, Nor Near-Sighted: -- 11 Performing to Perform the Other: -- 12 Cinematic Reservations: -- Part 5 True Hollywood stories -- 13 “And Maybe There Is a Way to Give Hollywood the Kick in the Ass That It Needs”: -- 14 From Selena to Walkout: An Interview with Moctesuma Esparza -- 15 Negotiating the Politics of (In)Difference in Contemporary Hollywood: -- 16 Televising Difference: -- Selected Bibliography -- Contributors -- Index |
title_sub |
Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / |
title_full |
Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / ed. by Daniel Bernardi. |
title_fullStr |
Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / ed. by Daniel Bernardi. |
title_full_unstemmed |
Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / ed. by Daniel Bernardi. |
title_auth |
Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Different Visions, Revolutionary Perceptions: Race, Gender, and Sexuality in the Work of Contemporary Filmmakers -- Part 1 Exposing bodies -- 1 Disability Is Us: Remembering, Recovering, and Remaking the Image of Disability -- 2 “I Saw You Naked”: “Hard” Acting in “Gay” Movies -- 3 Pain and Pleasure in the Flesh of Machiko Saito’s Experimental Movies -- Part 2 Border visions -- 4 Framing Identities / The Evolving Self: -- 5 Indigenism, (In)Visibility: Notes on Migratory Film -- 6 Traversing Cinematic Borders: An Interview with Paul Espinosa -- Part 3 Global identities -- 7 Del Otro Lado: -- 8 Faith in Sexual Difference: -- 9 Dead Conversations on Art and Politics: -- Part 4 Independent ambitions -- 10 Neither Color Blind, Nor Near-Sighted: -- 11 Performing to Perform the Other: -- 12 Cinematic Reservations: -- Part 5 True Hollywood stories -- 13 “And Maybe There Is a Way to Give Hollywood the Kick in the Ass That It Needs”: -- 14 From Selena to Walkout: An Interview with Moctesuma Esparza -- 15 Negotiating the Politics of (In)Difference in Contemporary Hollywood: -- 16 Televising Difference: -- Selected Bibliography -- Contributors -- Index |
title_new |
Filming Difference : |
title_sort |
filming difference : actors, directors, producers, and writers on gender, race, and sexuality in film / |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (390 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Different Visions, Revolutionary Perceptions: Race, Gender, and Sexuality in the Work of Contemporary Filmmakers -- Part 1 Exposing bodies -- 1 Disability Is Us: Remembering, Recovering, and Remaking the Image of Disability -- 2 “I Saw You Naked”: “Hard” Acting in “Gay” Movies -- 3 Pain and Pleasure in the Flesh of Machiko Saito’s Experimental Movies -- Part 2 Border visions -- 4 Framing Identities / The Evolving Self: -- 5 Indigenism, (In)Visibility: Notes on Migratory Film -- 6 Traversing Cinematic Borders: An Interview with Paul Espinosa -- Part 3 Global identities -- 7 Del Otro Lado: -- 8 Faith in Sexual Difference: -- 9 Dead Conversations on Art and Politics: -- Part 4 Independent ambitions -- 10 Neither Color Blind, Nor Near-Sighted: -- 11 Performing to Perform the Other: -- 12 Cinematic Reservations: -- Part 5 True Hollywood stories -- 13 “And Maybe There Is a Way to Give Hollywood the Kick in the Ass That It Needs”: -- 14 From Selena to Walkout: An Interview with Moctesuma Esparza -- 15 Negotiating the Politics of (In)Difference in Contemporary Hollywood: -- 16 Televising Difference: -- Selected Bibliography -- Contributors -- Index |
isbn |
9780292793552 9783110745344 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 S62 F55 42009EB |
genre_facet |
Interviews. |
geographic_facet |
United States |
url |
https://doi.org/10.7560/719231 https://www.degruyter.com/isbn/9780292793552 https://www.degruyter.com/document/cover/isbn/9780292793552/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/6355 |
dewey-sort |
3791.43 46355 |
dewey-raw |
791.43/6355 |
dewey-search |
791.43/6355 |
doi_str_mv |
10.7560/719231 |
oclc_num |
1286806781 |
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Filming Difference : Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film / |
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</subfield><subfield code="t">Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. 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Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture actors and actresses</subfield><subfield code="z">United States</subfield><subfield code="v">Interviews.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">United States</subfield><subfield code="v">Interviews.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Race relations in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Screenwriters</subfield><subfield code="z">United States</subfield><subfield code="v">Interviews.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sex role in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Social problems in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernardi, Daniel, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernardi, Daniel, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bradley, Christopher, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Caldwell, John Thornton, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cornejo, Cristina Kotz, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cutrara, Daniel S., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ferrari, Chiara, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Galán, Kathryn F., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Greer, Aaron, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Griffith, C. 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