Ernie Kovacs & Early TV Comedy : : Nothing in Moderation / / Andrew Horton.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013
• VerfasserIn: Horton, Andrew,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©2010
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (140 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Nothing in Moderation --; 1 } An Overview of the Postwar Era and the Ernie Kovacs Shows in the Context of American Television Comedy --; 2 } The Flow of the Philadelphia and New York Kovacs Shows:Comic Surrealism, Verbal and Visual --; 3 } Silents Please! Ernie, California, and Working with Music, Sound, and Surrealistic Visuals on His Specials --; 4 } Ernie in the Movies: From Comic Director to Supporting Character Actor --; 5 } The Kovacs Legacy: “I Don’t Know. I Just Do It!” --; Appendix: Summary Of Ernie Kovacs’ Personal Life --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780292792975; 9783110745344
• DOI: 10.7560/721944
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Andrew Horton.

Among the pioneers of television, Ernie Kovacs was one of the most original and imaginative comedians. His zany, irreverent, and surprising humor not only entertained audiences throughout the 1950s and early 1960s, but also inspired a host of later comedies and comedians, including Monty Python, David Letterman, much of Saturday Night Live, Rowan and Martin's Laugh-In, Captain Kangaroo, and even Sesame Street. Kovacs created laughter through wildly creative comic jokes, playful characterizations, hilarious insights, and wacky experiments. "Nothing in moderation," his motto and epitaph, sums up well Kovacs's wholehearted approach to comedy and life. In this book, Andrew Horton offers the first sustained look at Ernie Kovacs's wide-ranging and lasting contributions to the development of TV comedy. He discusses in detail Kovacs's work in New York, which included The Ernie Kovacs Show (CBS prime time 1952–1953), The Ernie Kovacs Show (NBC daytime variety 1956–1957), Tonight (NBC late-night comedy/variety 1956-1957), and a number of quiz shows. Horton also looks at Kovacs's work in Los Angeles and in feature film comedy. He vividly describes how Kovacs and his comic co-conspirators created offbeat characters and zany situations that subverted expectations and upended the status quo. Most of all, Horton demonstrates that Kovacs grasped the possibility for creating a fresh genre of comedy through the new medium of television and exploited it to the fullest.