Afro-Mexico : : Dancing between Myth and Reality / / Anita González.

While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the pres...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013
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Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2010
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (183 p.)
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245 1 0 |a Afro-Mexico :  |b Dancing between Myth and Reality /  |c Anita González. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Foreword --   |t Preface --   |t Introduction --   |t 1 Framing African Performance in Mexico --   |t 2 Masked Dance. Devils and Beasts of the Costa Chica --   |t 3 Archetypes of Race. Performance Responses to Afro-Mexican Presence --   |t 4 Becoming National. Chilena, Artesa, and Jarocho as Folkloric Dances --   |t Conclusion --   |t Notes --   |t Glossary --   |t Bibliography --   |t Index 
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520 |a While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society. In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) 
650 0 |a Blacks  |z Mexico. 
650 0 |a Dance  |z Mexico  |x African influences. 
650 0 |a National characteristics, Mexican. 
650 7 |a SOCIAL SCIENCE / General.  |2 bisacsh 
700 1 |a Jackson, George O. 
700 1 |a Pellicer, José Manuel. 
700 1 |a Vinson, Ben,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Vinson, Ben. 
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