Left of Hollywood : : Cinema, Modernism, and the Emergence of U.S. Radical Film Culture / / Chris Robé.
In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United State...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2010 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (308 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction. Unfinished Promises to an Orphaned Time
- Chapter One. Montage, Realism, and the Male Gaze
- Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism
- Chapter Three. Screening Race: The Antilynching Film, the Black Press, and U.S. Popular Front Film Criticism
- Chapter Four. Taking Hollywood Back: Gendered Histories of the Hollywood Costume Drama, the Biopic, and Jean Renoir’s La Marseillaise
- Conclusion. Fragments of the Future
- Notes
- Bibliography
- Index