Hollywood TV : : The Studio System in the Fifties / / Christopher Anderson.

The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
VerfasserIn:
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©1994
Year of Publication:2021
Language:English
Series:Texas Film and Media Studies Series
Online Access:
Physical Description:1 online resource (355 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9780292784604
ctrlnum (DE-B1597)588729
(OCoLC)1286808816
collection bib_alma
record_format marc
spelling Anderson, Christopher, author. aut http://id.loc.gov/vocabulary/relators/aut
Hollywood TV : The Studio System in the Fifties / Christopher Anderson.
Austin : University of Texas Press, [2021]
©1994
1 online resource (355 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Texas Film and Media Studies Series
Frontmatter -- Contents -- Acknowledgments -- I. Introduction: Hollywood in the Home -- II. Thwarted Ambitions in the Studio Era -- III. Escape from the Studio System: Independent Producers and Television -- IV. The Sponsor's Medium: Light's Diamond Jubilee and the Campaign for the Peaceful Atom -- V. David O. Selznick and the Making of Light's Diamond Jubilee -- VI. Disneyland -- VII. Origins of Warner Bros. Television -- VIII. Negotiating the Television Text: Warner Bros. Presents -- IX. Reviving the Studio System at Warner Bros. Television -- X. The Pathology of Mass Production -- XI. Epilogue -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
Hollywood (Los Angeles, Calif.)--History--20th century.
Motion picture actors and actresses United States 20th century.
Motion picture industry California Los Angeles History.
Motion picture studios California Los Angeles History 20th century.
Motion picture studios California Los Angeles History.
Motion pictures and television United States.
Motion pictures California Los Angeles History.
Television Production and direction United States.
PERFORMING ARTS / General. bisacsh
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 9783110745351
https://doi.org/10.7560/730595
https://www.degruyter.com/isbn/9780292784604
Cover https://www.degruyter.com/document/cover/isbn/9780292784604/original
language English
format eBook
author Anderson, Christopher,
Anderson, Christopher,
spellingShingle Anderson, Christopher,
Anderson, Christopher,
Hollywood TV : The Studio System in the Fifties /
Texas Film and Media Studies Series
Frontmatter --
Contents --
Acknowledgments --
I. Introduction: Hollywood in the Home --
II. Thwarted Ambitions in the Studio Era --
III. Escape from the Studio System: Independent Producers and Television --
IV. The Sponsor's Medium: Light's Diamond Jubilee and the Campaign for the Peaceful Atom --
V. David O. Selznick and the Making of Light's Diamond Jubilee --
VI. Disneyland --
VII. Origins of Warner Bros. Television --
VIII. Negotiating the Television Text: Warner Bros. Presents --
IX. Reviving the Studio System at Warner Bros. Television --
X. The Pathology of Mass Production --
XI. Epilogue --
Notes --
Bibliography --
Index
author_facet Anderson, Christopher,
Anderson, Christopher,
author_variant c a ca
c a ca
author_role VerfasserIn
VerfasserIn
author_sort Anderson, Christopher,
title Hollywood TV : The Studio System in the Fifties /
title_sub The Studio System in the Fifties /
title_full Hollywood TV : The Studio System in the Fifties / Christopher Anderson.
title_fullStr Hollywood TV : The Studio System in the Fifties / Christopher Anderson.
title_full_unstemmed Hollywood TV : The Studio System in the Fifties / Christopher Anderson.
title_auth Hollywood TV : The Studio System in the Fifties /
title_alt Frontmatter --
Contents --
Acknowledgments --
I. Introduction: Hollywood in the Home --
II. Thwarted Ambitions in the Studio Era --
III. Escape from the Studio System: Independent Producers and Television --
IV. The Sponsor's Medium: Light's Diamond Jubilee and the Campaign for the Peaceful Atom --
V. David O. Selznick and the Making of Light's Diamond Jubilee --
VI. Disneyland --
VII. Origins of Warner Bros. Television --
VIII. Negotiating the Television Text: Warner Bros. Presents --
IX. Reviving the Studio System at Warner Bros. Television --
X. The Pathology of Mass Production --
XI. Epilogue --
Notes --
Bibliography --
Index
title_new Hollywood TV :
title_sort hollywood tv : the studio system in the fifties /
series Texas Film and Media Studies Series
series2 Texas Film and Media Studies Series
publisher University of Texas Press,
publishDate 2021
physical 1 online resource (355 p.)
contents Frontmatter --
Contents --
Acknowledgments --
I. Introduction: Hollywood in the Home --
II. Thwarted Ambitions in the Studio Era --
III. Escape from the Studio System: Independent Producers and Television --
IV. The Sponsor's Medium: Light's Diamond Jubilee and the Campaign for the Peaceful Atom --
V. David O. Selznick and the Making of Light's Diamond Jubilee --
VI. Disneyland --
VII. Origins of Warner Bros. Television --
VIII. Negotiating the Television Text: Warner Bros. Presents --
IX. Reviving the Studio System at Warner Bros. Television --
X. The Pathology of Mass Production --
XI. Epilogue --
Notes --
Bibliography --
Index
isbn 9780292784604
9783110745351
geographic_facet United States
California
Los Angeles
United States.
era_facet 20th century.
url https://doi.org/10.7560/730595
https://www.degruyter.com/isbn/9780292784604
https://www.degruyter.com/document/cover/isbn/9780292784604/original
illustrated Not Illustrated
dewey-hundreds 300 - Social sciences
dewey-tens 380 - Commerce, communications & transportation
dewey-ones 384 - Communications; telecommunication
dewey-full 384.55/4/097309045
dewey-sort 3384.55 14 897309045
dewey-raw 384.55/4/097309045
dewey-search 384.55/4/097309045
doi_str_mv 10.7560/730595
oclc_num 1286808816
work_keys_str_mv AT andersonchristopher hollywoodtvthestudiosysteminthefifties
status_str n
ids_txt_mv (DE-B1597)588729
(OCoLC)1286808816
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
is_hierarchy_title Hollywood TV : The Studio System in the Fifties /
container_title Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
_version_ 1770176168488599552
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04643nam a22007335i 4500</leader><controlfield tag="001">9780292784604</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220426115627.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220426t20211994txu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292784604</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/730595</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)588729</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286808816</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">384.55/4/097309045</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Anderson, Christopher, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollywood TV :</subfield><subfield code="b">The Studio System in the Fifties /</subfield><subfield code="c">Christopher Anderson.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (355 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Texas Film and Media Studies Series</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">I. Introduction: Hollywood in the Home -- </subfield><subfield code="t">II. Thwarted Ambitions in the Studio Era -- </subfield><subfield code="t">III. Escape from the Studio System: Independent Producers and Television -- </subfield><subfield code="t">IV. The Sponsor's Medium: Light's Diamond Jubilee and the Campaign for the Peaceful Atom -- </subfield><subfield code="t">V. David O. Selznick and the Making of Light's Diamond Jubilee -- </subfield><subfield code="t">VI. Disneyland -- </subfield><subfield code="t">VII. Origins of Warner Bros. Television -- </subfield><subfield code="t">VIII. Negotiating the Television Text: Warner Bros. Presents -- </subfield><subfield code="t">IX. Reviving the Studio System at Warner Bros. Television -- </subfield><subfield code="t">X. The Pathology of Mass Production -- </subfield><subfield code="t">XI. Epilogue -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Hollywood (Los Angeles, Calif.)--History--20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture actors and actresses</subfield><subfield code="z">United States</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture industry</subfield><subfield code="z">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture studios</subfield><subfield code="z">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture studios</subfield><subfield code="z">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and television</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Television</subfield><subfield code="x">Production and direction</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Texas Press Complete eBook-Package Pre-2000</subfield><subfield code="z">9783110745351</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/730595</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780292784604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780292784604/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074535-1 University of Texas Press Complete eBook-Package Pre-2000</subfield><subfield code="b">2000</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>