Race on the QT : : Blackness and the Films of Quentin Tarantino / / Adilifu Nama.

Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkw...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015
VerfasserIn:
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2015
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (184 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9780292772373
ctrlnum (DE-B1597)586925
(OCoLC)1280944402
collection bib_alma
record_format marc
spelling Nama, Adilifu, author. aut http://id.loc.gov/vocabulary/relators/aut
Race on the QT : Blackness and the Films of Quentin Tarantino / Adilifu Nama.
Austin : University of Texas Press, [2021]
©2015
1 online resource (184 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1. Reservoir Dogs and True Romance -- Chapter 2. Pulp Fiction and Jackie Brown -- Chapter 3. Kill Bill: Vol. 1, Kill Bill: Vol. 2, and Death Proof -- Chapter 4. Inglourious Basterds and Django Unchained -- Coda -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT. Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
African Americans in motion pictures.
PERFORMING ARTS / General. bisacsh
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 9783110745337
https://doi.org/10.7560/768147
https://www.degruyter.com/isbn/9780292772373
Cover https://www.degruyter.com/document/cover/isbn/9780292772373/original
language English
format eBook
author Nama, Adilifu,
Nama, Adilifu,
spellingShingle Nama, Adilifu,
Nama, Adilifu,
Race on the QT : Blackness and the Films of Quentin Tarantino /
Frontmatter --
Contents --
Acknowledgments --
Introduction --
Chapter 1. Reservoir Dogs and True Romance --
Chapter 2. Pulp Fiction and Jackie Brown --
Chapter 3. Kill Bill: Vol. 1, Kill Bill: Vol. 2, and Death Proof --
Chapter 4. Inglourious Basterds and Django Unchained --
Coda --
Notes --
Bibliography --
Index
author_facet Nama, Adilifu,
Nama, Adilifu,
author_variant a n an
a n an
author_role VerfasserIn
VerfasserIn
author_sort Nama, Adilifu,
title Race on the QT : Blackness and the Films of Quentin Tarantino /
title_sub Blackness and the Films of Quentin Tarantino /
title_full Race on the QT : Blackness and the Films of Quentin Tarantino / Adilifu Nama.
title_fullStr Race on the QT : Blackness and the Films of Quentin Tarantino / Adilifu Nama.
title_full_unstemmed Race on the QT : Blackness and the Films of Quentin Tarantino / Adilifu Nama.
title_auth Race on the QT : Blackness and the Films of Quentin Tarantino /
title_alt Frontmatter --
Contents --
Acknowledgments --
Introduction --
Chapter 1. Reservoir Dogs and True Romance --
Chapter 2. Pulp Fiction and Jackie Brown --
Chapter 3. Kill Bill: Vol. 1, Kill Bill: Vol. 2, and Death Proof --
Chapter 4. Inglourious Basterds and Django Unchained --
Coda --
Notes --
Bibliography --
Index
title_new Race on the QT :
title_sort race on the qt : blackness and the films of quentin tarantino /
publisher University of Texas Press,
publishDate 2021
physical 1 online resource (184 p.)
contents Frontmatter --
Contents --
Acknowledgments --
Introduction --
Chapter 1. Reservoir Dogs and True Romance --
Chapter 2. Pulp Fiction and Jackie Brown --
Chapter 3. Kill Bill: Vol. 1, Kill Bill: Vol. 2, and Death Proof --
Chapter 4. Inglourious Basterds and Django Unchained --
Coda --
Notes --
Bibliography --
Index
isbn 9780292772373
9783110745337
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1998
callnumber-sort PN 41998.3 T358 N36 42014EB
url https://doi.org/10.7560/768147
https://www.degruyter.com/isbn/9780292772373
https://www.degruyter.com/document/cover/isbn/9780292772373/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4302/33092
dewey-sort 3791.4302 533092
dewey-raw 791.4302/33092
dewey-search 791.4302/33092
doi_str_mv 10.7560/768147
oclc_num 1280944402
work_keys_str_mv AT namaadilifu raceontheqtblacknessandthefilmsofquentintarantino
status_str n
ids_txt_mv (DE-B1597)586925
(OCoLC)1280944402
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015
is_hierarchy_title Race on the QT : Blackness and the Films of Quentin Tarantino /
container_title Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015
_version_ 1770176168294612992
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04097nam a22006495i 4500</leader><controlfield tag="001">9780292772373</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220426115627.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220426t20212015txu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292772373</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/768147</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)586925</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1280944402</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.T358</subfield><subfield code="b">N36 2014eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.4302/33092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nama, Adilifu, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Race on the QT :</subfield><subfield code="b">Blackness and the Films of Quentin Tarantino /</subfield><subfield code="c">Adilifu Nama.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (184 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Chapter 1. Reservoir Dogs and True Romance -- </subfield><subfield code="t">Chapter 2. Pulp Fiction and Jackie Brown -- </subfield><subfield code="t">Chapter 3. Kill Bill: Vol. 1, Kill Bill: Vol. 2, and Death Proof -- </subfield><subfield code="t">Chapter 4. Inglourious Basterds and Django Unchained -- </subfield><subfield code="t">Coda -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT. Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African Americans in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Texas Press Complete eBook-Package 2014-2015</subfield><subfield code="z">9783110745337</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/768147</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780292772373</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780292772373/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074533-7 University of Texas Press Complete eBook-Package 2014-2015</subfield><subfield code="c">2014</subfield><subfield code="d">2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>