The Sign in Music and Literature / / ed. by Wendy Steiner.

The notion of semiotics as a universal language that can encompass any object of perception makes it the focus of a revolutionary field of inquiry, the semiotics of art. This volume represents a unique gathering of semiotic approaches to art: from Saussurian linguistics to transformational grammar,...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
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HerausgeberIn:
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©1981
Year of Publication:2021
Language:English
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Physical Description:1 online resource (244 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • 1. Introduction
  • 2. The Structure of Semiotic Objects: A Three-Dimensional Model
  • 3. How Do We Establish New Codes of Verisimilitude?
  • 4. Intratextual Rewriting: Textuality as Language Formation
  • 5. Inside Greimas's Square: Literary Characters and Cultural Constraints
  • 6. Semantic Oscillation: A Universal of Artistic Expression
  • 7. The Literary Artifact
  • 8. Typography, Rhymes, and Linguistic Structures in Poetry
  • 9. Toward a Semiotics of Music
  • 10. Two Views of Musical Semiotics
  • 11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure
  • 12. The Problem of "Ethnic" Perceptions in the Semiotics of Music
  • 13. Technique and Signification in the Twelve-Tone Method
  • 14. A Musical Icon: Power and Meaning in Javanese Gamelan Music
  • 15. Preliminaries to a Semiotics of Ballet
  • Bibliography