The Sign in Music and Literature / / ed. by Wendy Steiner.
The notion of semiotics as a universal language that can encompass any object of perception makes it the focus of a revolutionary field of inquiry, the semiotics of art. This volume represents a unique gathering of semiotic approaches to art: from Saussurian linguistics to transformational grammar,...
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Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©1981 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (244 p.) |
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Table of Contents:
- Frontmatter
- Contents
- 1. Introduction
- 2. The Structure of Semiotic Objects: A Three-Dimensional Model
- 3. How Do We Establish New Codes of Verisimilitude?
- 4. Intratextual Rewriting: Textuality as Language Formation
- 5. Inside Greimas's Square: Literary Characters and Cultural Constraints
- 6. Semantic Oscillation: A Universal of Artistic Expression
- 7. The Literary Artifact
- 8. Typography, Rhymes, and Linguistic Structures in Poetry
- 9. Toward a Semiotics of Music
- 10. Two Views of Musical Semiotics
- 11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure
- 12. The Problem of "Ethnic" Perceptions in the Semiotics of Music
- 13. Technique and Signification in the Twelve-Tone Method
- 14. A Musical Icon: Power and Meaning in Javanese Gamelan Music
- 15. Preliminaries to a Semiotics of Ballet
- Bibliography