José Clemente Orozco : : An Autobiography /

José Clemente Orozco : : An Autobiography / / José Clemente Orozco.

The artistic eminence of José Clemente Orozco (1883–1949) is such that he has been called “the greatest painter the Americas have produced.” In his Autobiography he also attains literary distinction. He is a writer who recounts the history of his period from a personal point of view and yet scarcely...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
VerfasserIn:
Orozco, José Clemente,
TeilnehmendeR:
Leeper, John Palmer.
Stephenson, Robert C.
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©1962
Year of Publication:2021
Language:English
Series:Texas Pan American Series
Online Access:
Physical Description:1 online resource (194 p.)
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Table of Contents:
  • Frontmatter
  • ACKNOWLEDGMENTS
  • CONTENTS
  • LIST OF ILLUSTRATIONS
  • INTRODUCTION
  • PRESENTATION
  • 1. Posada Inspires Me. San Carlos. Fabres
  • 2. Dr. Atl and Julio Ruelas. Artistic Colonialism. The Revolution in Mexican Painting. Copying Velazquez.
  • 3. Gedovius' Studios. Rival Exhibitions in 1910. The Artistic Center. The Son of Ahuizote. The Student Strike. Raziel Cabildo
  • 4. Ramos Martinez. Barbizon in Santa Anita. My Studio on Illescas. My Wartime Exploits. Victoriano Huerta. Gambling Halls and Conscription. The Theatre Maria Tepache
  • 5. Dr. Atl Returns. Handing Out Money. The House of the World Worker. Orizaba. Storming and Sacking Churches. Red Battalions. The Vanguard
  • 6. Customs Officers in Laredo, Texas. San Francisco, California. Fernando G. Galvan and Company. The League of Nations. Expulsion from Canada
  • 7. Shocks and Conflicts. Mass Meetings. The Bearded Lady. Costumed Fleas. The Sermon on the Mount Falsified. The Donkey Paints a Picture
  • 8. The Table Is Set. First Efforts. The Painters, Their Critical Powers. Jean Chariot. European Painting. Artists Today
  • 9. The Syndicate of Painters and Sculptors. The Manifesto. Socialization of Art. Bourgeois Art and Proletarian Art. Rectifications
  • 10. The History of Mexico. Indians, Spaniards, and Mestizos. How the Conquest Should Have Gone
  • 11. The Machete. The United Group of the Working Class Movement. Asunsolo and His Stonecutters. Vandalism. Fanfare. Pulque-Shop Painting
  • 12. My Second Visit to New York. Harlem. The Yiddish Theatre. Naples in New York. Alma Reed and Eva Sikelianos. And Sarojini Naidu. The Untouchables
  • 13. I Become a Greek. Laurel Wreaths. The Crash. Surrealistic Economy. The Delphic Studios. The Tsar of Russia's Clock. Pomona and Prometheus. Home, Sweet Home
  • 14. Painting in the School for Social Research. Dynamic Symmetry. The Secret of Beauty
  • 15. Raphael's Cartoons—London, Paris, Italy, and Spain. Dartmouth College.
  • INDEX

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