Charles Olson : : Call Him Ishmael / / Paul Christensen.
Charles Olson was an important force behind the raucous, explicit, jaunty style of much of twentieth-century poetry in America. This study makes a major contribution to our understanding of his life and work. Paul Christensen draws upon a wide variety of source materials—from letters, unpublished es...
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Place / Publishing House: | Austin : : University of Texas Press, , [2014] ©1979 |
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Christensen, Paul, author. aut http://id.loc.gov/vocabulary/relators/aut Charles Olson : Call Him Ishmael / Paul Christensen. Austin : University of Texas Press, [2014] ©1979 1 online resource (278 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Foreword -- Acknowledgments -- 1. Charles Olson: An Introduction -- 2. Toward a New Reality -- 3. Projectivism and the Short Poems -- 4. The Maximus Poems -- 5. Olson and the Black Mountain Poets -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Charles Olson was an important force behind the raucous, explicit, jaunty style of much of twentieth-century poetry in America. This study makes a major contribution to our understanding of his life and work. Paul Christensen draws upon a wide variety of source materials—from letters, unpublished essays, and fragments and sketches from the Olson Archives to the full range of Olson's published prose and poetry. Under Christensen's critical examination, Olson emerges as a stunning theorist and poet, whose erratic and often unfinished writings obscured his provocative intellect and the coherence of his perspective on the arts. Soon after World War II, Olson emerged as one of America's leading poets with his revolutionary document on poetics, "Projective Verse," and his now-classic poem, "The Kingfishers," both of which declared a new set of techniques for verse composition. Throughout the 1950s Olson wrote many polemical essays on literature, history, aesthetics, and philosophy that outlined a new stance to experience he called objectism. A firm advocate of spontaneous self-expression in the arts, Olson regarded the poet's return to an intense declaration of individuality as a force to combat the decade's insistence on conformity. Throughout his life Olson fought against the depersonalization of the artist in the modern age; his resources, raw verve and unedited tumultuous lyricism, were weapons he used against generalized life and identity. This volume begins with an overview of Olson's life from his early years as a student at Harvard through his short-lived political career, his rectorship at Black Mountain College, and his retirement to Gloucester to finish writing the Maximus poems. Christensen provides a systematic review of Olson's prose works, including a close examination of his brilliant monograph on Melville, Call Me Ishmael. Considerable attention is devoted to Olson's theory of projectivism, the themes and techniques of his short poems, and the strategies and content of his major work, the Maximus series. In addition, there is a critical survey of the works of Robert Creeley, Robert Duncan, Denise Levertov, Paul Blackburn, and other poets who show Olson's influence in their own innovative, self-exploratory poetry. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) BIOGRAPHY & AUTOBIOGRAPHY / General. bisacsh Butterick, George F., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 9783110745351 https://doi.org/10.7560/710467 https://www.degruyter.com/isbn/9780292762428 Cover https://www.degruyter.com/document/cover/isbn/9780292762428/original |
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English |
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Christensen, Paul, Christensen, Paul, |
spellingShingle |
Christensen, Paul, Christensen, Paul, Charles Olson : Call Him Ishmael / Frontmatter -- Contents -- Foreword -- Acknowledgments -- 1. Charles Olson: An Introduction -- 2. Toward a New Reality -- 3. Projectivism and the Short Poems -- 4. The Maximus Poems -- 5. Olson and the Black Mountain Poets -- Notes -- Works Cited -- Index |
author_facet |
Christensen, Paul, Christensen, Paul, Butterick, George F., Butterick, George F., |
author_variant |
p c pc p c pc |
author_role |
VerfasserIn VerfasserIn |
author2 |
Butterick, George F., Butterick, George F., |
author2_variant |
g f b gf gfb g f b gf gfb |
author2_role |
MitwirkendeR MitwirkendeR |
author_sort |
Christensen, Paul, |
title |
Charles Olson : Call Him Ishmael / |
title_sub |
Call Him Ishmael / |
title_full |
Charles Olson : Call Him Ishmael / Paul Christensen. |
title_fullStr |
Charles Olson : Call Him Ishmael / Paul Christensen. |
title_full_unstemmed |
Charles Olson : Call Him Ishmael / Paul Christensen. |
title_auth |
Charles Olson : Call Him Ishmael / |
title_alt |
Frontmatter -- Contents -- Foreword -- Acknowledgments -- 1. Charles Olson: An Introduction -- 2. Toward a New Reality -- 3. Projectivism and the Short Poems -- 4. The Maximus Poems -- 5. Olson and the Black Mountain Poets -- Notes -- Works Cited -- Index |
title_new |
Charles Olson : |
title_sort |
charles olson : call him ishmael / |
publisher |
University of Texas Press, |
publishDate |
2014 |
physical |
1 online resource (278 p.) |
contents |
Frontmatter -- Contents -- Foreword -- Acknowledgments -- 1. Charles Olson: An Introduction -- 2. Toward a New Reality -- 3. Projectivism and the Short Poems -- 4. The Maximus Poems -- 5. Olson and the Black Mountain Poets -- Notes -- Works Cited -- Index |
isbn |
9780292762428 9783110745351 |
url |
https://doi.org/10.7560/710467 https://www.degruyter.com/isbn/9780292762428 https://www.degruyter.com/document/cover/isbn/9780292762428/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
810 - American literature in English |
dewey-ones |
811 - American poetry in English |
dewey-full |
811/.54 |
dewey-sort |
3811 254 |
dewey-raw |
811/.54 |
dewey-search |
811/.54 |
doi_str_mv |
10.7560/710467 |
oclc_num |
1280945130 |
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AT christensenpaul charlesolsoncallhimishmael AT butterickgeorgef charlesolsoncallhimishmael |
status_str |
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ids_txt_mv |
(DE-B1597)586991 (OCoLC)1280945130 |
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cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
is_hierarchy_title |
Charles Olson : Call Him Ishmael / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
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A firm advocate of spontaneous self-expression in the arts, Olson regarded the poet's return to an intense declaration of individuality as a force to combat the decade's insistence on conformity. Throughout his life Olson fought against the depersonalization of the artist in the modern age; his resources, raw verve and unedited tumultuous lyricism, were weapons he used against generalized life and identity. This volume begins with an overview of Olson's life from his early years as a student at Harvard through his short-lived political career, his rectorship at Black Mountain College, and his retirement to Gloucester to finish writing the Maximus poems. Christensen provides a systematic review of Olson's prose works, including a close examination of his brilliant monograph on Melville, Call Me Ishmael. Considerable attention is devoted to Olson's theory of projectivism, the themes and techniques of his short poems, and the strategies and content of his major work, the Maximus series. 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