A History of Hispanic Theatre in the United States : : Origins to 1940 / / Nicolás Kanellos.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
• VerfasserIn: Kanellos, Nicolás,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©1990
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (288 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; i. Origins --; 2. Los Angeles --; 3. San Antonio --; 4. New York City --; 5. Tampa --; 6. On the Road: Hispanic Theatre outside Its Major Centers --; 7. Conclusion --; Notes --; Glossary --; References --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780292761551; 9783110745351
• DOI: 10.7560/730496
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Nicolás Kanellos.

Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.